Concentus Musicus / Harnoncourt
Organiser
Jeunesse - Musikalische Jugend Österreichs
- Concentus Musicus Wien Ensemble
- Alfred Deller Countertenor
- Nikolaus Harnoncourt Leitung
Programme
- Etienne du Tertre
Danceries (1557)
- Heinrich Isaac
Instrumentalstück
La mi la sol
- John Dunstable
O rosa bella (1470))
- Jacob Obrecht
Stat ein meskin was junck (1500 um))
- Josquin Desprez
Mille regretz (15./16. Jh.)
Vive le roy
- Heinrich Finck
Greiner Zanner
- Giovanni Domenico da Nola
Tri chiechi siamo
- John Dowland
Lachrimae antiquae. Pavan P 15 (1617))
Shall I sue, shall I seek for grace? (1600))
From silent night (1612))
The most hight and mighty Christianus the fourth King of Denmarke, his Galliard P 40 (1610))
Dowlands Lamentation: Semper Dowland semper dolens P 9 (1604))
M. George Whitehead his Allmand
Come againe, sweet love doth now invite F I/66 (1597))
- William Byrd
Ye sacred Muses
Intermission
- Cipriano de Rore
Anchor che col partire. Madrigal für vier Stimmen a cappella (1547))
- Heinrich Schütz
In te Domine speravi SWV 259 (1629))
- Giovanni Gabrieli
Canzona V duodecimi toni à 8 (1597))
Canzona III septimi toni à 8 (1597))
Canzona II septimi toni à 8 (1597))
- Tiburtio Massaino
Canzon per otto tromboni (1608))
- Concentus Musicus Wien Ensemble
- Alfred Deller Countertenor
- Nikolaus Harnoncourt Leitung
Programme
- Etienne du Tertre
Danceries (1557)
- Heinrich Isaac
Instrumentalstück
La mi la sol
- John Dunstable
O rosa bella (1470))
- Jacob Obrecht
Stat ein meskin was junck (1500 um))
- Josquin Desprez
Mille regretz (15./16. Jh.)
Vive le roy
- Heinrich Finck
Greiner Zanner
- Giovanni Domenico da Nola
Tri chiechi siamo
- John Dowland
Lachrimae antiquae. Pavan P 15 (1617))
Shall I sue, shall I seek for grace? (1600))
From silent night (1612))
The most hight and mighty Christianus the fourth King of Denmarke, his Galliard P 40 (1610))
Dowlands Lamentation: Semper Dowland semper dolens P 9 (1604))
M. George Whitehead his Allmand
Come againe, sweet love doth now invite F I/66 (1597))
- William Byrd
Ye sacred Muses
Intermission
- Cipriano de Rore
Anchor che col partire. Madrigal für vier Stimmen a cappella (1547))
- Heinrich Schütz
In te Domine speravi SWV 259 (1629))
- Giovanni Gabrieli
Canzona V duodecimi toni à 8 (1597))
Canzona III septimi toni à 8 (1597))
Canzona II septimi toni à 8 (1597))
- Tiburtio Massaino
Canzon per otto tromboni (1608))