04/04/2001
Wed, 12.30 PM–approx. 2.30 PM ∙ Schubert-Saal

Hans Kann, Klavier

  • Hans Kann Klavier

Programme

  • Edvard Grieg

    Lyrische Stücke op. 65 (Heft 8) (1897)

  • Alexander Reinagle

    Sonate Nr. 1 D-Dur (1790 ca.)

  • Edward MacDowell

    To the sea op. 55/1 (Sea pieces) (1898)

    AD 1620 G-Dur op. 55/3 (Sea pieces) (1898)

    Song op. 55/5 (Sea pieces) (1898)

  • Charles Griffes

    The White Peacock E-Dur op. 7/1 (Roman Sketches) (1915–1916)

  • Henry Cowell

    The Tides of Manaunaun (1912)

    The Aeolian Harp (1923)

  • Carl Ruggles

    Evocations. Three chants for piano (1935–1943)

  • Aaron Copland

    Sentimental Melody (1926)

    For Leo Smit: Freely Poetic (Four Piano Blues Nr. 1) (1947)

    Piano Blues Nr. 4: With Bounce (for John Kirkpatrick) (1926)

  • John Alden Carpenter

    Tango américain D-Dur (1920)

Programme leaflet
  • Hans Kann Klavier

Programme

  • Edvard Grieg

    Lyrische Stücke op. 65 (Heft 8) (1897)

  • Alexander Reinagle

    Sonate Nr. 1 D-Dur (1790 ca.)

  • Edward MacDowell

    To the sea op. 55/1 (Sea pieces) (1898)

    AD 1620 G-Dur op. 55/3 (Sea pieces) (1898)

    Song op. 55/5 (Sea pieces) (1898)

  • Charles Griffes

    The White Peacock E-Dur op. 7/1 (Roman Sketches) (1915–1916)

  • Henry Cowell

    The Tides of Manaunaun (1912)

    The Aeolian Harp (1923)

  • Carl Ruggles

    Evocations. Three chants for piano (1935–1943)

  • Aaron Copland

    Sentimental Melody (1926)

    For Leo Smit: Freely Poetic (Four Piano Blues Nr. 1) (1947)

    Piano Blues Nr. 4: With Bounce (for John Kirkpatrick) (1926)

  • John Alden Carpenter

    Tango américain D-Dur (1920)

Programme leaflet

Organiser

Wiener Konzerthausgesellschaft

Note

Das Charakterstück. Sämtliche »Lyrischen Stücke« von Edvard Grieg sowie Salonmusik aus aller Welt«; »High Noon at the Saloon«