Paul Agnew / Christopher Wilson
- Paul Agnew Tenor
- Christopher Wilson Laute
Programme
- Anonymus
Come live with me and be my love (1612))
- Thomas Morley
O Mistress mine (1599))
- Anonymus
The Willow Song (16./17. Jh.)
- Robert Jones
Farewell dear love (1600))
- John Johnson
Passymeasures Pavan (16. Jh.)
- Anonymus
Branle (1603))
Kemp's Jig (16./17. Jh.)
- William Byrd
La volta in g (16./17. Jh.)
- Robert Johnson
Full fathdom five (17. Jh.)
Where the bee sucks, there suck I (17. Jh.)
- Anonymus
Fortune my foe (16./17. Jh.)
- Thomas Morley
It was a lover and his lasse (1600))
Intermission
- Guillaume Tessier
In a grove most rich of shade (1610))
- Anonymus
O dear life when shall it be (1610))
Go and catch a falling star (1635) ca.)
So, so break off this lamenting kiss (16./17. Jh.)
- Anthony Holborne
Pavan (1610))
Galliard (16. Jh.)
- John Dowland
Weep you no more, sad fountaines (1603))
Lady, if you so spite me (1610))
Sorrow, stay, lend true repentant tears (1600))
- Paul Agnew Tenor
- Christopher Wilson Laute
Programme
- Anonymus
Come live with me and be my love (1612))
- Thomas Morley
O Mistress mine (1599))
- Anonymus
The Willow Song (16./17. Jh.)
- Robert Jones
Farewell dear love (1600))
- John Johnson
Passymeasures Pavan (16. Jh.)
- Anonymus
Branle (1603))
Kemp's Jig (16./17. Jh.)
- William Byrd
La volta in g (16./17. Jh.)
- Robert Johnson
Full fathdom five (17. Jh.)
Where the bee sucks, there suck I (17. Jh.)
- Anonymus
Fortune my foe (16./17. Jh.)
- Thomas Morley
It was a lover and his lasse (1600))
Intermission
- Guillaume Tessier
In a grove most rich of shade (1610))
- Anonymus
O dear life when shall it be (1610))
Go and catch a falling star (1635) ca.)
So, so break off this lamenting kiss (16./17. Jh.)
- Anthony Holborne
Pavan (1610))
Galliard (16. Jh.)
- John Dowland
Weep you no more, sad fountaines (1603))
Lady, if you so spite me (1610))
Sorrow, stay, lend true repentant tears (1600))
Organiser
Wiener Konzerthausgesellschaft
Note
»Die ganze Welt ist Bühne«