03/03/1952
Mon, 7.30 PM–approx. 9.30 PM ∙ Mozart-Saal

Peter Pears, Tenor

  • Peter Pears Tenor
  • Benjamin Britten Klavier

Programme

  • Georg Friedrich Händel

    Ah! che pur troppo è vero. Kantate HWV 77 für Tenor und Basso continuo (1707 ca.)

  • Henry Purcell

    Ah! How pleasant 'tis to love Z 353 (1688)

    Man is for the woman made (The Mock Marriage Z 605) (1695)

  • Charles Dibdin

    Tom Bowling

  • Thomas Arne

    Where the bee sucks

  • Benjamin Britten

    The Holy Sonnets of John Donne op. 35 (1945)

  • Intermission

  • Franz Schubert

    Der Jüngling an der Quelle D 300 (1817 ca.)

    Der zürnenden Diana D 707 (1820)

    Vom Mitleiden Mariä D 632 (1818)

    Liebesbotschaft D 957/1 (Schwanengesang, 1. Buch) (1828)

  • Benjamin Britten

    O Waly, Waly (Folk Song Arrangements, Band 3, British Isles Nr. 5)

    Come you not from Newcastle? (Folk Song Arrangements, Band 3, British Isles Nr. 7)

  • Percy Grainger

    Six dukes went a-fishin'

    The jolly sailor

Programme leaflet
  • Peter Pears Tenor
  • Benjamin Britten Klavier

Programme

  • Georg Friedrich Händel

    Ah! che pur troppo è vero. Kantate HWV 77 für Tenor und Basso continuo (1707 ca.)

  • Henry Purcell

    Ah! How pleasant 'tis to love Z 353 (1688)

    Man is for the woman made (The Mock Marriage Z 605) (1695)

  • Charles Dibdin

    Tom Bowling

  • Thomas Arne

    Where the bee sucks

  • Benjamin Britten

    The Holy Sonnets of John Donne op. 35 (1945)

  • Intermission

  • Franz Schubert

    Der Jüngling an der Quelle D 300 (1817 ca.)

    Der zürnenden Diana D 707 (1820)

    Vom Mitleiden Mariä D 632 (1818)

    Liebesbotschaft D 957/1 (Schwanengesang, 1. Buch) (1828)

  • Benjamin Britten

    O Waly, Waly (Folk Song Arrangements, Band 3, British Isles Nr. 5)

    Come you not from Newcastle? (Folk Song Arrangements, Band 3, British Isles Nr. 7)

  • Percy Grainger

    Six dukes went a-fishin'

    The jolly sailor

Programme leaflet

Organiser

Wiener Konzerthausgesellschaft