Cécile McLorin Salvant
»For One to Love«
- Cécile McLorin Salvant Gesang
- Renee Rosnes Klavier
- Rodney Whitaker Bass
- Lewis Nash Schlagzeug
Programm
»For One to Love«
- Cécile McLorin Salvant
Fog
- Cole Porter
Easy to love
- Cécile McLorin Salvant
Look at me
- Richard Rodgers
The Gentleman is a Dope
- Frank Loesser
Never Will I Marry
- Richard Rodgers
I didn't know what time it was
- Burt F. Bacharach
Wives and lovers (Hey little girl) (1963)
- Tommy Wolf
Spring can really hang you up the most
- Jules Shear
All through the night (1984)
- Cécile McLorin Salvant
Le front caché sur tes genoux
- Rocco Accetta
Cry Buttercup, Cry
- Irving Berlin
Let's face the music and dance (Follow the Fleet) (1936)
- Billie Holiday
Fine and mellow
- Cole Porter
I'm in love again
- -----------------------------------------
Zugabe:
- Porter Grainger, Spencer Williams
You ought to be ashamed (1928)
- Harry Warren
You're Getting To Be A Habit With Me
- Cécile McLorin Salvant Gesang
- Renee Rosnes Klavier
- Rodney Whitaker Bass
- Lewis Nash Schlagzeug
Programm
»For One to Love«
- Cécile McLorin Salvant
Fog
- Cole Porter
Easy to love
- Cécile McLorin Salvant
Look at me
- Richard Rodgers
The Gentleman is a Dope
- Frank Loesser
Never Will I Marry
- Richard Rodgers
I didn't know what time it was
- Burt F. Bacharach
Wives and lovers (Hey little girl) (1963)
- Tommy Wolf
Spring can really hang you up the most
- Jules Shear
All through the night (1984)
- Cécile McLorin Salvant
Le front caché sur tes genoux
- Rocco Accetta
Cry Buttercup, Cry
- Irving Berlin
Let's face the music and dance (Follow the Fleet) (1936)
- Billie Holiday
Fine and mellow
- Cole Porter
I'm in love again
- -----------------------------------------
Zugabe:
- Porter Grainger, Spencer Williams
You ought to be ashamed (1928)
- Harry Warren
You're Getting To Be A Habit With Me
Veranstalter & Verantwortlicher
Wiener Konzerthausgesellschaft
Anmerkung
Die Erste Bank unterstützt im Rahmen des MehrWERT Sponsoringprogrammes Jazz im Konzerthaus
Medienpartner Ö1 Club, Der Standard und The Gap