Michael Chance, Countertenor
- Michael Chance Countertenor
- Christopher Wilson Laute
Programm
- Thomas Campion
Never weather-beaten saile (1613))
It fell on a summer's daie (1601))
The Cypress curtain of the night (1601))
- Thomas Ford
Since first I saw your face (1607))
- Anonymus
The Willow Song (16./17. Jh.)
Miserere my maker (1615) ca.)
- John Dowland
Resolution P 13 für Laute solo »Dowland's Adew« (1600))
Fantasia P 6 für Laute solo (1600 ca.)
Come againe, sweet love doth now invite F I/66 (1597))
I saw my lady weep F II/2 (1600))
Can she excuse my wrongs F I/18 (1597))
Pause
- John Danyel
Griefe keepe within (1606))
Drop not, mine eyes (1606))
Have all your passions (1606))
- Anonymus
Prélude für Laute solo (?)
- John Danyel
Rosa für Laute solo (?)
- John Dowland
Fine knacks for ladies F II/48 (1600))
Flow, my tears F II/6 (1600))
Shall I strive with wordes to move F IV/17 »Mignarda« (1612))
In darkness let mee dwell F IV/116 (1610))
- Michael Chance Countertenor
- Christopher Wilson Laute
Programm
- Thomas Campion
Never weather-beaten saile (1613))
It fell on a summer's daie (1601))
The Cypress curtain of the night (1601))
- Thomas Ford
Since first I saw your face (1607))
- Anonymus
The Willow Song (16./17. Jh.)
Miserere my maker (1615) ca.)
- John Dowland
Resolution P 13 für Laute solo »Dowland's Adew« (1600))
Fantasia P 6 für Laute solo (1600 ca.)
Come againe, sweet love doth now invite F I/66 (1597))
I saw my lady weep F II/2 (1600))
Can she excuse my wrongs F I/18 (1597))
Pause
- John Danyel
Griefe keepe within (1606))
Drop not, mine eyes (1606))
Have all your passions (1606))
- Anonymus
Prélude für Laute solo (?)
- John Danyel
Rosa für Laute solo (?)
- John Dowland
Fine knacks for ladies F II/48 (1600))
Flow, my tears F II/6 (1600))
Shall I strive with wordes to move F IV/17 »Mignarda« (1612))
In darkness let mee dwell F IV/116 (1610))
Veranstalter & Verantwortlicher
Wiener Konzerthausgesellschaft