Tinney / Heumann / Mascardi / Mauillon
»Gehen«
- Carine Tinney Sopran
- Evangelina Mascardi Renaissancelaute
- Angélique Mauillon Barockharfe
- Friederike Heumann Viola da gamba, Lyra-Viol
Programm
Gehen
- Robert Jones
Love wing'd my hopes (The Second Booke of Songs and Ayres)
Whither runneth my sweetheart (The Second Booke of Songs and Ayres)
O how my thoughts doe beat me (The Second Booke of Songs and Ayres)
My love bound me with a kiss (The Second Booke of Songs and Ayres)
- William Corkine
Walsingham (The Second Booke of Ayres)
- Tobias Hume
Fain would I change that note (The First Part of Ayres) (1605))
Harke, harke – Woope doe me no harme (The First Part of Ayres) (1605))
What greater grief (The First Part of Ayres) (1607))
- John Danyel
Passymeasures Galliard
- Henry Purcell
Strike the viol (Come ye sons of Art, away. Birthday Ode for Queen Mary Z 323) (1694)
One charming night (Arie des Secrecy aus »The Fairy-Queen« Z 629) (1692)
T'was within a furlong of Edinborough Town (The Mock Marriage Z 605) (1695)
Pause
- Robert Jones
Now what is love (The Second Booke of Songs and Ayres) (1601))
Come sorrow (The Second Booke of Songs and Ayres) (1601)
- René Saman
Monsieur Saman his Coranto (Varietie of Lute-lessons)
- Robert Jones
Dreames and imaginations (The Second Booke of Songs and Ayres) (1601)
- Thomas Ford
A pill to purge melancholie (Musicke of Sundrie Kindes) (1607)
- John Dowland
Preludium (The First Booke of Songes or Ayres) (1600) ca.)
If my complaints could passions move F I/8 (The First Booke of Songes or Ayres) (1597))
- William Corkine
Pavin (The Second Booke of Ayres) (1612)
If my complaints (The Second Booke of Ayres) (1612)
- Robert Jones
Fie fie (The Second Booke of Songs and Ayres) (1601)
Mee thought this other night (The Second Booke of Songs and Ayres) (1601)
- -----------------------------------------
Zugabe:
- John Dowland
Come againe, sweet love doth now invite F I/66 (1597))
- Henry Purcell
Strike the viol (Come ye sons of Art, away. Birthday Ode for Queen Mary Z 323) (1694)
- Carine Tinney Sopran
- Evangelina Mascardi Renaissancelaute
- Angélique Mauillon Barockharfe
- Friederike Heumann Viola da gamba, Lyra-Viol
Programm
Gehen
- Robert Jones
Love wing'd my hopes (The Second Booke of Songs and Ayres)
Whither runneth my sweetheart (The Second Booke of Songs and Ayres)
O how my thoughts doe beat me (The Second Booke of Songs and Ayres)
My love bound me with a kiss (The Second Booke of Songs and Ayres)
- William Corkine
Walsingham (The Second Booke of Ayres)
- Tobias Hume
Fain would I change that note (The First Part of Ayres) (1605))
Harke, harke – Woope doe me no harme (The First Part of Ayres) (1605))
What greater grief (The First Part of Ayres) (1607))
- John Danyel
Passymeasures Galliard
- Henry Purcell
Strike the viol (Come ye sons of Art, away. Birthday Ode for Queen Mary Z 323) (1694)
One charming night (Arie des Secrecy aus »The Fairy-Queen« Z 629) (1692)
T'was within a furlong of Edinborough Town (The Mock Marriage Z 605) (1695)
Pause
- Robert Jones
Now what is love (The Second Booke of Songs and Ayres) (1601))
Come sorrow (The Second Booke of Songs and Ayres) (1601)
- René Saman
Monsieur Saman his Coranto (Varietie of Lute-lessons)
- Robert Jones
Dreames and imaginations (The Second Booke of Songs and Ayres) (1601)
- Thomas Ford
A pill to purge melancholie (Musicke of Sundrie Kindes) (1607)
- John Dowland
Preludium (The First Booke of Songes or Ayres) (1600) ca.)
If my complaints could passions move F I/8 (The First Booke of Songes or Ayres) (1597))
- William Corkine
Pavin (The Second Booke of Ayres) (1612)
If my complaints (The Second Booke of Ayres) (1612)
- Robert Jones
Fie fie (The Second Booke of Songs and Ayres) (1601)
Mee thought this other night (The Second Booke of Songs and Ayres) (1601)
- -----------------------------------------
Zugabe:
- John Dowland
Come againe, sweet love doth now invite F I/66 (1597))
- Henry Purcell
Strike the viol (Come ye sons of Art, away. Birthday Ode for Queen Mary Z 323) (1694)
Veranstalter & Verantwortlicher
Wiener Konzerthausgesellschaft
Anmerkung
Medienpartner Ö1 Club und Der Standard
Anna-Lena Elbert musste ihre Mitwirkung aus gesundheitlichen Gründen absagen. Wir freuen uns, dass sich Carine Tinney kurzfristig bereit erklärt hat, den Sopranpart bei unverändertem Programm zu übernehmen.