30/11/26
Mon, 7.30 PM–approx. 9.30 PM ∙ Mozart-Saal
Kammermusik

Ehnes / Preucil / Tamestit / Larivière / Poltera

283748576470,–
Advance sales for members from 01/10/2026 available for everyone from 08/10/2026
  • James Ehnes Violine
  • Alexandra Preucil Violine
  • Antoine Tamestit Viola
  • Sào Soulez Larivière Viola
  • Christian Poltéra Violoncello

Programme

  • Johannes Brahms

    Streichquintett Nr. 1 F-Dur op. 88 (1882)

  • George Benjamin

    Viola, Viola (1997)

  • Intermission

  • Johannes Brahms

    Streichquintett Nr. 2 G-Dur op. 111 (1890)

  • James Ehnes Violine
  • Alexandra Preucil Violine
  • Antoine Tamestit Viola
  • Sào Soulez Larivière Viola
  • Christian Poltéra Violoncello

Programme

  • Johannes Brahms

    Streichquintett Nr. 1 F-Dur op. 88 (1882)

  • George Benjamin

    Viola, Viola (1997)

  • Intermission

  • Johannes Brahms

    Streichquintett Nr. 2 G-Dur op. 111 (1890)

Mature composure

The two string quintets, composed in 1882 and 1890, are undoubtedly among Johannes Brahms’s most serene chamber music works. With the Quintet in G major, which bears the famous opus number 111, Brahms – then aged just 57 – even considered his entire body of work to be complete: ‘It is »certainly time to go«,’ he wrote to his publisher Fritz Simrock.

2 violins, 2 violas, 1 cello
As in Mozart’s quintets, a pair ofviolinsand a pairof violasduet in these works against the backdrop of the cello part, and so the first viola here usually takes on a role similar to that of the first violin: an almost soloistic one, which will be in the very capable hands of Antoine Tamestit at the Vienna Konzerthaus at the end of November.

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