18/01/26
Sun, 7.30 PM–approx. 8.50 PM ∙ Mozart-Saal
Chor, Oratorium & Oper Alte Musik & Originalklang
Resonanzen

Huelgas Ensemble

»Notre Dame«

293847576670,–
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Wheelchair bookings at ticket@konzerthaus.at

  • Huelgas Ensemble Chorensemble
  • Paul Van Nevel Dirigent

Programme

  • »Notre Dame«

  • Anonymus

    Laudes Regiae. Zu Ehren des französischen Königs Philippe August (1165–1223)

  • Leoninus

    Haec Dies (Magnus liber organi de graduali et antiphonario) (12. Jh. Ende)

  • Anonymus

    O Maria Maris Stella / O Maria Dei Stella / O Maria Virgo / In veritate (1280)

    Crucifigat omnes (Carmina Burana 47) (13. Jh.))

  • Perotinus

    Viderunt omnes. Organum quadruplum (1198 ca.)

  • Anonymus

    Cum apertam sepulturam

    Agnus dei / Exultet hec concio

    Belial vocatur. Motette

    Homo miserabilis / Homo luge fuge / Brumans est mors

    Balaam de quo vaticinans. Motette

  • Perotinus

    Benedicamus Domino. Organum triplum

  • Huelgas Ensemble Chorensemble
  • Paul Van Nevel Dirigent

Programme

  • »Notre Dame«

  • Anonymus

    Laudes Regiae. Zu Ehren des französischen Königs Philippe August (1165–1223)

  • Leoninus

    Haec Dies (Magnus liber organi de graduali et antiphonario) (12. Jh. Ende)

  • Anonymus

    O Maria Maris Stella / O Maria Dei Stella / O Maria Virgo / In veritate (1280)

    Crucifigat omnes (Carmina Burana 47) (13. Jh.))

  • Perotinus

    Viderunt omnes. Organum quadruplum (1198 ca.)

  • Anonymus

    Cum apertam sepulturam

    Agnus dei / Exultet hec concio

    Belial vocatur. Motette

    Homo miserabilis / Homo luge fuge / Brumans est mors

    Balaam de quo vaticinans. Motette

  • Perotinus

    Benedicamus Domino. Organum triplum

The cradle of European polyphony

»Our Lady«, as the Mother of God and Virgin Mary is also called, has many faces. She is the One for All and one of her most majestic patron saints is a landmark of the French capital: Notre-Dame de Paris Cathedral, one of the oldest Gothic churches in the country, was also the cradle of the »organum«, an early form of polyphony, during the first half of its approximately 180-year construction period. Performances of this remote music are extremely rare due to the high demands it places on the performers. Only one such organum – was heard from Master Perotin and not a single note from his predecessor, Master Leonin! – in the Vienna Konzerthaus. Until 18 January, when Paul Van Nevel will once again write music and interpretation history here.

This event is also included in the following subscriptions:

Organiser

Wiener Konzerthausgesellschaft