Klavierabend Anton Gerzenberg
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- Anton Gerzenberg Klavier
Programme
- Arnold Schönberg
Suite op. 25 (1921)
- Pierre Boulez
Incises (1993–2001)
Sonate Nr. 2 für Klavier (1946–1948)
- Karol Szymanowski
Maski »Masken«. Drei Stücke op. 34 für Klavier (1916)
Intermission
- Igor Strawinski
Fragment des Symphonies pour instruments à vent à la mémoire de C. A. Debussy (1920)
- Claude Debussy
Six épigraphes antiques (Fassung für Klavier zu zwei Händen) (1915)
- Anton Gerzenberg Klavier
Programme
- Arnold Schönberg
Suite op. 25 (1921)
- Pierre Boulez
Incises (1993–2001)
Sonate Nr. 2 für Klavier (1946–1948)
- Karol Szymanowski
Maski »Masken«. Drei Stücke op. 34 für Klavier (1916)
Intermission
- Igor Strawinski
Fragment des Symphonies pour instruments à vent à la mémoire de C. A. Debussy (1920)
- Claude Debussy
Six épigraphes antiques (Fassung für Klavier zu zwei Händen) (1915)
Key pianistic experiences
For some, legendary recordings are key experiences on the path to their
own career. Anton Gerzenberg had the privilege of hearing one of the
best pianists as a child, and not from a loudspeaker, but from the next
room. His mother, Lilya Zilberstein, was a regular guest of Martha
Argerich. Both he and his brother Daniel became pianists and founded the
Gerzenberg Duo. All four performed together at the Wiener Konzerthaus
in 2024.
Weightless piano music
Anton Gerzenberg became
interested in contemporary piano music early on, which is why he studied
with Pierre-Laurent Aimard. He is enthusiastic about pieces that you
first have to work your way through and that free themselves from
anything physical.
From Debussy to Boulez
He is now giving
a piano recital with a sophisticated programme that ranges from Debussy
to Stravinsky and Szymanowski to Boulez. The programme begins with a
piece that was premiered in the Vienna Konzerthaus a good hundred years
ago: Schönberg's Suite for Piano op. 25, an epochal composition that
went down in history as the first completely twelve-tone work. The
second half of the concert is also dominated by weightless works, with
Debussy's »Six épigraphes antiques« and Stravinsky's homage to the
impressionist composer. The furious second piano sonata by Boulez, whose
100th birthday is in 2025 and who is in the tradition of the other
composers of the evening, will be heard at the end.
Diese Veranstaltung ist auch in folgenden Abos enthalten:
Veranstalter & Verantwortlicher
Wiener Konzerthausgesellschaft
Anmerkung
Free choice of seats