Quatuor Ébène
- Quatuor Ébène Streichquartett
- Pierre Colombet Violine
- Gabriel Le Magadure Violine
- Marie Chilemme Viola
- Yuya Okamoto Violoncello
Programme
- Wolfgang Amadeus Mozart
Streichquartett d-moll K 417b (1783)
- Claude Debussy
Streichquartett g-moll op. 10 (1893)
Intermission
- Johannes Brahms
Streichquartett Nr. 2 a-moll op. 51/2 (1873)
- -----------------------------------------
Zugabe:
- Benjamin Britten
Waltz (Three Divertimenti Nr. 2) (1936)
- Quatuor Ébène Streichquartett
- Pierre Colombet Violine
- Gabriel Le Magadure Violine
- Marie Chilemme Viola
- Yuya Okamoto Violoncello
Programme
- Wolfgang Amadeus Mozart
Streichquartett d-moll K 417b (1783)
- Claude Debussy
Streichquartett g-moll op. 10 (1893)
Intermission
- Johannes Brahms
Streichquartett Nr. 2 a-moll op. 51/2 (1873)
- -----------------------------------------
Zugabe:
- Benjamin Britten
Waltz (Three Divertimenti Nr. 2) (1936)
Labour pains, forceps delivery and baptism
When Mozart composed his string quartet in D minor, his wife was in
labour for the first time. »As often as she expressed suffering, he ran
to her to comfort and cheer her up; and when she was a little calmer, he
went back to his paper«, Constanze's second husband Nikolaus von Nissen
later wrote. This quartet, which stands out due to its minor key, was
dedicated to »the dear friend« Joseph Haydn along with five other works
in a cycle. It was Haydn who really launched the string quartet genre
with his Opus 33.
Brahms, the progressive
In contrast,
Johannes Brahms described his String Quartet No. 2 in A minor as a
»forceps birth«, for which a surgeon served as obstetrician: Theodor
Billroth, a doctor friend and chamber music enthusiast, was the
dedicatee. Arnold Schönberg later used this quartet to praise Brahms'
progressiveness, his technique of forming a large whole from small
motifs and their variations. At the same time, he placed himself in his
tradition.
Colourful timbres
In the middle of the Quatuor
Ébène concert, we hear Claude Debussy's only string quartet. It was
modelled on César Franck's string quartet, which had been composed
shortly before. The work, which is classically divided into four
movements, has a variety of different tonal influences, ranging from
church music to Balkan music and Javanese gamelan music to the music of
the Russian school. Paul Dukas saw the string quartet as an »artfully
patterned carpet of wondrous colours«.
Organiser
Wiener Konzerthausgesellschaft