05/10/2025
Sun, 7.30 PM–approx. 9.30 PM ∙ Mozart-Saal

Quatuor Ébène

  • Quatuor Ébène Streichquartett
  • Pierre Colombet Violine
  • Gabriel Le Magadure Violine
  • Marie Chilemme Viola
  • Yuya Okamoto Violoncello

Programme

  • Wolfgang Amadeus Mozart

    Streichquartett d-moll K 417b (1783)

  • Claude Debussy

    Streichquartett g-moll op. 10 (1893)

  • Intermission

  • Johannes Brahms

    Streichquartett Nr. 2 a-moll op. 51/2 (1873)

  • -----------------------------------------

    Zugabe:

  • Benjamin Britten

    Waltz (Three Divertimenti Nr. 2) (1936)

  • Quatuor Ébène Streichquartett
  • Pierre Colombet Violine
  • Gabriel Le Magadure Violine
  • Marie Chilemme Viola
  • Yuya Okamoto Violoncello

Programme

  • Wolfgang Amadeus Mozart

    Streichquartett d-moll K 417b (1783)

  • Claude Debussy

    Streichquartett g-moll op. 10 (1893)

  • Intermission

  • Johannes Brahms

    Streichquartett Nr. 2 a-moll op. 51/2 (1873)

  • -----------------------------------------

    Zugabe:

  • Benjamin Britten

    Waltz (Three Divertimenti Nr. 2) (1936)

Labour pains, forceps delivery and baptism

When Mozart composed his string quartet in D minor, his wife was in labour for the first time. »As often as she expressed suffering, he ran to her to comfort and cheer her up; and when she was a little calmer, he went back to his paper«, Constanze's second husband Nikolaus von Nissen later wrote. This quartet, which stands out due to its minor key, was dedicated to »the dear friend« Joseph Haydn along with five other works in a cycle. It was Haydn who really launched the string quartet genre with his Opus 33.

Brahms, the progressive

In contrast, Johannes Brahms described his String Quartet No. 2 in A minor as a »forceps birth«, for which a surgeon served as obstetrician: Theodor Billroth, a doctor friend and chamber music enthusiast, was the dedicatee. Arnold Schönberg later used this quartet to praise Brahms' progressiveness, his technique of forming a large whole from small motifs and their variations. At the same time, he placed himself in his tradition.

Colourful timbres

In the middle of the Quatuor Ébène concert, we hear Claude Debussy's only string quartet. It was modelled on César Franck's string quartet, which had been composed shortly before. The work, which is classically divided into four movements, has a variety of different tonal influences, ranging from church music to Balkan music and Javanese gamelan music to the music of the Russian school. Paul Dukas saw the string quartet as an »artfully patterned carpet of wondrous colours«.

Organiser

Wiener Konzerthausgesellschaft