14/09/25
So, 19.30–ca. 21.40 Uhr ∙ Großer Saal
Chor, Oratorium & Oper Alte Musik & Originalklang

The Constellation Choir & Orchestra / Gardiner

»A Midsummer Night's Dream«
32567291108115,–

Wheelchair bookings at ticket@konzerthaus.at

  • The Constellation Orchestra Orchester
  • The Constellation Choir Chor
  • Sam Cobb Sopran
  • Rebecca Hardwick Sopran
  • Iris Korfker Alt
  • Graham Neal Tenor
  • Jonathan Hanley Tenor
  • Alex Ashworth Bass
  • Jack Comerford Bass
  • Sir John Eliot Gardiner Dirigent

Programme

  • Felix Mendelssohn Bartholdy

    Ouverture zu »Ein Sommernachtstraum« op. 21 (1826)

    Schauspielmusik zu »Ein Sommernachtstraum« op. 61 (1842)

    Die erste Walpurgisnacht op. 60 (1831)

  • Intermission

  • The Constellation Orchestra Orchester
  • The Constellation Choir Chor
  • Sam Cobb Sopran
  • Rebecca Hardwick Sopran
  • Iris Korfker Alt
  • Graham Neal Tenor
  • Jonathan Hanley Tenor
  • Alex Ashworth Bass
  • Jack Comerford Bass
  • Sir John Eliot Gardiner Dirigent

Programme

  • Felix Mendelssohn Bartholdy

    Ouverture zu »Ein Sommernachtstraum« op. 21 (1826)

    Schauspielmusik zu »Ein Sommernachtstraum« op. 61 (1842)

    Die erste Walpurgisnacht op. 60 (1831)

  • Intermission

Midsummer Night's Dreams

Nocturnal scenes full of spooks, magic and witchcraft rituals: Felix Mendelssohn Bartholdy set them to music in a painterly way. In this concert, Sir John Eliot Gardiner leads the ensemble he founded, The Constellation Choir & Orchestra, through the incidental music to William Shakespeare's »A Midsummer Night's Dream«, which has just made the rounds in Germany in a translation by August Wilhelm Schlegel. While elves and fairies are up to mischief in an enchanted forest near ancient Athens, druids and witches populate the scenery in the second half of the concert. Pagan sacrificial rituals are the focus of Walpurgis Night, which takes place on the Brocken in the German Harz Mountains. Carl Zelter, who had received the commission from Goethe but did not feel up to it, asked his pupil Mendelssohn to set the text to music: »I want to compose it with orchestral accompaniment as a kind of great cantata«, he replied and wrote the composition, which is rarely heard today.

Mit freundlicher Unterstützung

Veranstalter & Verantwortlicher

Wiener Konzerthausgesellschaft

Anmerkung

media partner Ö1 Club

Externe Links

https://springheadconstellation.com