Wiener KammerOrchester / Daniel Ottensamer / Hattori
Wheelchair bookings at ticket@konzerthaus.at
- Wiener KammerOrchester Kammerorchester
- Daniel Ottensamer Klarinette
- Joji Hattori Dirigent
Programme
- Joseph Haydn
Ouverture zu »Armida« B-Dur Hob. Ia/14 (1783)
- Wolfgang Amadeus Mozart
Konzert für Klarinette und Orchester A-Dur K 622 (1791)
Intermission
- Franz Schubert
Zwölf Walzer D 969 »Valses nobles« (Bearbeitung für Orchester: Joji Hattori) (1826)
- Joseph Haydn
Symphonie F-Dur Hob. I/89 (1787)
- Wiener KammerOrchester Kammerorchester
- Daniel Ottensamer Klarinette
- Joji Hattori Dirigent
Programme
- Joseph Haydn
Ouverture zu »Armida« B-Dur Hob. Ia/14 (1783)
- Wolfgang Amadeus Mozart
Konzert für Klarinette und Orchester A-Dur K 622 (1791)
Intermission
- Franz Schubert
Zwölf Walzer D 969 »Valses nobles« (Bearbeitung für Orchester: Joji Hattori) (1826)
- Joseph Haydn
Symphonie F-Dur Hob. I/89 (1787)
Like a human voice
Punkitititi and Notschibikitschibi: this is what Wolfgang Amadeus Mozart
and his fellow freemason Anton Stadler called each other. Mozart was
deeply impressed by Stadler's clarinet playing: »I've never heard
anything like what you do with your instrument. I would never have
thought that a clarinet could imitate human voices as deceptively as you
do. Your instrument has a tone so soft, so sweet, that no one with a
heart can resist it.« Mozart composed his Clarinet Concerto, one of his
last completed compositions, for Stadler.
Daniel Ottensamer as soloist on the clarinet
Today
it is one of his best-known works, especially due to its second
movement. In the concert by the Vienna Chamber Orchestra under the
direction of Joji Hattori, Daniel Ottensamer, principal clarinettist of
the Vienna Philharmonic and member of the Philharmonix, will be the
soloist.
Orchestral works by Franz Schubert and Joseph Haydn
The
second half of the programme features the lively »Valses nobles« by
Franz Schubert in an orchestral arrangement by Joji Hattori as well as
Joseph Haydn's Symphony in F major Hob. I/89. This orchestral work,
written shortly after the Paris Symphonies, is still without clarinets -
an instrument that Mozart first experienced as an orchestral instrument
in Mannheim.
Diese Veranstaltung ist auch in folgenden Abos enthalten:
Veranstalter & Verantwortlicher
Wiener Konzerthausgesellschaft
Externe Links
https://www.danielottensamer.com
http://www.jojihattori.com
https://www.kammerorchester.com