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Frank Peter Zimmermann © Harald Hoffmann/hänssler CLASSIC

Fridays@7: Wiener Symphoniker / Zimmermann / Guggeis

Friday 9 December 2022
19:00 – ca. 20:15
Großer Saal

 

Performers

Wiener Symphoniker

Frank Peter Zimmermann, Violine

Thomas Guggeis, Dirigent

Im Anschluss an das Konzert im Großen Foyer:

kammerfunk

Programme

Igor Strawinski

Konzert für Violine und Orchester D-Dur (1931)

Felix Mendelssohn Bartholdy

Symphonie Nr. 3 a-moll op. 56 »Schottische« (1829/1841–1842)

Im Anschluss an das Konzert im Großen Foyer:

kammerfunk

Joseph Haydn

3. Satz: Rondo all'ongarese. Presto (Klaviertrio G-Dur Hob. XV/25 »Zigeunertrio«) (Bearbeitung und Kadenz: Martin Rainer) (1795 um)

Martin Rainer

Der Rosenkavalier aus dem Süden (nach Themen von Johann Strauß und Richard Strauss)

Klezmorim

Georg Breinschmid

Spring dance

Grigoraş Dinicu

Hora martisorului

Martin Rainer

Primavera … oder ein mahlerischer Frühling am Bach (nach Themen von Astor Piazzolla)

Note

Unterstützt von OMV
Dieses Konzert wird im Rahmen einer Kooperation zwischen der Wiener Konzerthausgesellschaft und den Wiener Symphonikern veranstaltet. Weitere Informationen zur Datenverarbeitung bei Kooperationsveranstaltungen, Speicherdauer und Ihren Rechten finden Sie in unserer Datenschutzerklärung.

Subscription series Fridays@7

Links https://www.wienersymphoniker.at

Presented by Wiener Konzerthausgesellschaft

Strong effects

Igor Stravinsky hesitated to compose his Violin Concerto »because I am not a violinist myself, and feared that my little knowledge of the instrument would not be sufficient to solve the many problems that arise in the course of working on a larger work specifically for violin«. Perhaps that is why it stands out among the genre. He was not guided by classical models; his piece should »reek of violin«. It is exuberant in effects, almost sarcastic. The German violinist Frank Peter Zimmermann has already made a recording in which he brings the ambiguity, the wit and the cheekiness of Stravinsky's Violin Concerto to the ear. At the Vienna Konzerthaus, he performs the work under the baton of Thomas Guggeis with the Vienna Symphony Orchestra, which also includes Mendelssohn Bartholdy's romantic »Scottish« on the program, before kammerfunk provides the musical finale to the concert in the Grand Foyer.

Supported by

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