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Philharmonic Five © Julia Wesely

Philharmonic Five

»Time for ADVENTures«

Monday 18 December 2023
19:30 – ca. 21:30
Mozart-Saal

 

Performers

Philharmonic Five

Tibor Kováč, Violine

Lara Kusztrich, Violine

Benjamin Beck, Viola

Edison Pashko, Violoncello

Adela Liculescu, Klavier

Programme

Max Bruch

Klavierquintett g-moll (1886)

***

Time for ADVENTures – Klassik meets Pop, Waltzes and Christmas Songs

Fritz Kreisler

Caprice viennois op. 2 (Bearbeitung: Tibor Kováč)

John Williams

Thema (Aus dem Film »Schindler's List«, Regie: Steven Spielberg, USA 1993) (Bearbeitung: Tibor Kováč) (1993)

Wolfgang Amadeus Mozart

Alla Turca »Türkischer Marsch« (Sonate A-Dur K 300i) (Berbeitung: Arcadi Volodos und Tibor Kováč) (1781–1783)

Johan Halvorsen, Elton John

Passacaglia g-moll nach einem Thema von Georg Friedrich Händel / Sorry seems to be (Bearbeitung / Zusammenstellung: Tibor Kováč)

Aleksey Igudesman

For a lease für Violine, Klavier und Orchester (Bearbeitung)

Mel Tormé

The Christmas song (Bearbeitung: Tibor Kováč) (1945)

Sergej Prokofjew, Dmitri Schostakowitch

Cinderella / Walzer Nr. 2 (Suite Nr. 2 für Jazzorchester) (Bearbeitung / Zusammenstellung: Tibor Kováč)

Georg Breinschmid

Wien bleibt Krk (Bearbeitung: Tibor Kováč)

-----------------------------------------

Zugabe:

Hugh Martin

Have yourself a merry little Christmas (Bearbeitung: Adela Liculescu) (1943)

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Links https://www.philharmonicfive.com

Presented by Wiener Konzerthausgesellschaft

ADVENTures

For some, Advent is a time of reflection. For the Philharmonic Five, it is a time of adventure. That's why the four string players of the Vienna Philharmonic and pianist Adela Liculescu combine classical music with pop and waltzes with Christmas carols in their pre-Christmas concert. Georg Friedrich Händel and Johann Strauss meet Fritz Kreisler and Nat King Cole - whereby they are given a new guise through arrangements by the Philharmonic Five. This musical journey through a wide variety of epochs and styles is complemented by Max Bruch's Piano Quintet in G minor from 1886, a gem of the piano quintet literature that was only awakened from its Sleeping Beauty slumber 100 years after its composition with the first printing.
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