Vivi Vassileva © Julia Wesely
Wiener Symphoniker / Vassileva / Pachinger / Kuokman
Thursday
28
October
2021
19:30 – ca. 21:00
Großer Saal
Performers
Wiener Symphoniker
Vivi Vassileva, Multipercussion
Gerald Pachinger, Klarinette
Lio Kuokman, Dirigent
Programme
Tan Dun
The Tears of Nature. Konzert für Schlagwerk und Orchester (2012)
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Zugabe:
Alexej Gerassimez
Asventuras
Jacob Gade
Tango Jalousie (1925)
***
Claude Debussy
Prélude à l'après-midi d'un faune (1892–1894)
Première Rhapsodie für Klarinette und Orchester (1909–1910)
Hector Berlioz
Le carnaval romain. Ouverture caractéristique op. 9 (1844)
Antonín Dvořák
Karneval. Ouverture op. 92 (1891)
Note
Lio Kuokman eingesprungen für Tan Dun; Vivi Vassileva eingesprungen für Martin Grubinger;
Dieses Konzert wird im Rahmen einer Kooperation zwischen der Wiener Konzerthausgesellschaft und den Wiener Symphonikern veranstaltet. Weitere Informationen zur Datenverarbeitung bei Kooperationsveranstaltungen, Speicherdauer und Ihren Rechten finden Sie in unserer
Datenschutzerklärung.
Subscription series
Percussive Planet
card complete
Links
https://www.wienersymphoniker.at
https://vividrums.com
https://www.liokuokman.com
Presented by
Wiener Konzerthausgesellschaft
Nature & Passion
The New York-based Chinese composer and Oscar winner Tan Dun dedicates each of the three movements of his percussion concerto »The Tears of Nature« to a recent natural disaster in China, Japan and the USA. The composer recognizes the tears of nature in the water of the rain, the oceans and the rivers. They are, he says, the sign of repentance for the violent and often life-destroying natural eruptions. At the beginning of the concert, the soloist wanders through the orchestra, smashing stones together, to the timpani, which Vivi Vassileva makes sound not only with mallets and drum brooms. She also wipes the skin with her bare hands, strokes the timpani and plays with fingernails. The »young queen of the drums«, as the Süddeutsche Zeitung calls Vivi Vassileva, reveals what she thinks about when she makes music: »At best, not the notes. About smells, images, emotions, about what I want to tell with the music. But you always have to be very focused.«