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Kirill Gerstein © Marco Borggreve

Camerata Salzburg / Gerstein / Manze

Monday 17 January 2022
18:30 – ca. 20:15
Großer Saal



Camerata Salzburg

Kirill Gerstein, Klavier

Andrew Manze, Dirigent


Wolfgang Amadeus Mozart

Kassation Nr. 2 B-Dur K 63a (1769)

Konzert für Klavier und Orchester G-Dur K 453 (1784)
Kadenzen: Wolfgang Amadeus Mozart



Johann Sebastian Bach

Nun freut euch, liebe Christen gmein BWV 734 (Bearbeitung für Klavier: Ferruccio Busoni) (1708–1717)


Franz Schubert

Symphonie Nr. 5 B-Dur D 485 (1816)



Wolfgang Amadeus Mozart

Les petits riens. Ballettmusik K 299b (Nr. 11: Larghetto) (1778)

Subscription series Symphonie Classique A
Give Some Musik. The Package of Your Choice (Youth Package)
Schenken Sie Musik. Das Package Ihrer Wahl


Presented by Wiener Konzerthausgesellschaft

Early and late works

What connects Mozart's Piano Concerto K 453 with Schubert? For the Romantic writer E. T. A. Hoffmann, the case was clear: harmonic turns in the third movement clearly speak a »Romantic« tonal language and point to Schubert. In addition, the architecture of the piano concerto was also unusually symphonically oriented, as it was later continued in the Romantic period. Mozart had written the concerto for his technically accomplished pupil Barbara Ployer, which is reflected in the demanding piano part. Kirill Gerstein, Andrew Manze and the Camerata Salzburg enter into a dialogue with the classical and early romantic periods, reflecting on their core repertoire: a late work by Mozart meets a youth symphony by Schubert - with chamber music instrumentation - which he wrote as a 19-year-old and which is one of today's most popular symphonies.


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