Philharmonic Five © Julia Wesely
Philharmonic Five
»Slavonic Soul«
Tuesday
22
March
2022
19:30
Mozart-Saal
Performers
Philharmonic Five
Tibor Kováč, Violine
Lara Kusztrich, Violine
Holger Tautscher-Groh, Viola
Orfeo Mandozzi, Violoncello
Adela Liculescu, Klavier
Programme
Antonín Dvořák
Klavierquintett A-Dur op. 81 (1887)
***
»Slavonic Soul«
Sergej Prokofjew
Romeo und Julia. Ballett op. 64 (Teilaufführung in Bearbeitung von Tibor Kováč) (1935–1936)
Ihor Schamo
Jak tebje ne lyubiti, Kiewe mij »Wie könnte man Dich nicht lieben, mein Kiew« (Bearbeitung: Irina Dankevich) (1962)
Peter Iljitsch Tschaikowsky
Kuda, kuda, kudavi udalilis »Wohin seid ihr entschwunden« (Arie des Lenskij aus »Eugen Onegin«) (Bearbeitung: Tibor Kováč) (1877–1878)
Tibor Kováč
Slavonic tunes for piece
Antonín Dvořák
Kdyz mne stará matka »Als die alte Mutter mich noch singen lehrte« op. 55/4 (Zigeunermelodien) (Bearbeitung: Tibor Kováč) (Bearbeitung für Violine und Klavier: Fritz Kreisler) (1880/1914)
Georg Breinschmid
Wien bleibt Krk (Bearbeitung: Georg Breinschmid, Aleksey Igudesman und Tibor Kováč)
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Zugabe:
Harold Arlen
Over the rainbow (Aus dem Film »The Wizard of Oz«, Regie: Victor Fleming, USA 1939) (Bearbeitung: Orfeo Mandozzi) (1939)
Note
Unterstützt von Wiener Städtische Versicherungsverein und Wiener Städtische
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Links
https://www.philharmonicfive.com
Presented by
Wiener Konzerthausgesellschaft
Slavonic Soul
Music that you not only hear, but experience with all five senses. Three musicians from the ranks of the Vienna Philharmonic, an international soloist on the cello, and an exceptional pianist combine their sound aesthetics, art of phrasing, and virtuosity with modern expressive dynamics, thereby creating a unique musical world in which old and new merge into radiant harmony.
This time the ensemble dedicates itself to Dvořák's Piano Quintet, whose genesis is due to a coincidence. When the composer came across the score of his early piano quintet, Op. 5, while rummaging around in 1887, he was so dissatisfied with its quality that he wrote a new work in the same instrumentation, key and layout. To this day, it remains one of the composer's most performed, for it represents the paradigm of Dvořák's chamber music: rich melodic invention, lush sound, masterful form, folksiness alongside late Romantic pathos, Czech influences reflected in the titles of the middle movements. In the second part of the concert, Philharmonic Five then looks deep into the »Slavonic soul« with works by Peter Ilyich Tchaikovsky, Sergei Prokofiev and others.
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