Philharmonic Five © Julia Wesely
Philharmonic Five
»Sommer.Nacht.Traum«
Sunday
26
June
2022
19:30 – ca. 21:30
Mozart-Saal
Performers
Philharmonic Five
Tibor Kováč, Violine
Lara Kusztrich, Violine
Holger Tautscher-Groh, Viola
Orfeo Mandozzi, Violoncello
Adela Liculescu, Klavier
Programme
Johannes Brahms
Klavierquintett f-moll op. 34 (1865)
***
Felix Mendelssohn Bartholdy
Ouverture zu »Ein Sommernachtstraum« op. 21 (Bearbeitung für Klavierquintett: Julius Weiss) (1826)
George Gershwin
Summertime (Porgy and Bess) (Bearbeitung: Tibor Kovac) (1935)
Peter Iljitsch Tschaikowsky
Juin: Barcarolle g-moll op. 37b/6 (Vremena goda »Die Jahreszeiten«. Zwölf Charakterstücke) (Bearbeitung: Adela Liculescu) (1875–1876)
Antonio Vivaldi
»Der Sommer« Concerto g-moll RV 315 für Violine, Streicher und Basso continuo (Die vier Jahreszeiten) (Bearbeitung: Tibor Kovac) (1725))
Astor Piazzolla
Sommer, Verano porteño (Cuatro estaciones porteñas) (Bearbeitung: Orfeo Mandozzi) (1967)
Claude Debussy
Beau soir (Bearbeitung: Orfeo Mandozzi) (1880)
Tibor Kováč
Caribbean tempest (nach Ludwig van Beethoven »Sonate d-moll op. 31/2 ›Der Sturm‹« und Michel Camilo »Caribe«)
-----------------------------------------
Zugabe:
Georg Breinschmid
Wien bleibt Krk (Bearbeitung: Tibor Kováč und Georg Breinschmid)
Note
Ersatztermin für den 22. Juni 2022
Unterstützt von Wiener Städtische Versicherungsverein und Wiener Städtische
Subscription series
Philharmonic Five
Links
https://www.philharmonicfive.com
Presented by
Wiener Konzerthausgesellschaft
Summer.Night.Dream
Philharmonic Five seduce to dream with their unique sound aesthetics and virtuosity. And the most beautiful dreams are promised by a summer night - follow the five musicians into enchanting summer spheres with music by Felix Mendelssohn Bartholdy, Frédéric Chopin and others.
»I feel after the work as if I have read a great tragic story« said Clara Schumann when she heard Johannes Brahms' Piano Quintet for the first time. Among the many remarks made by friends of the composer, hers is perhaps the most fitting. From the outset, the four-movement quintet unfolds in the tone of tragedy and in an arc of tension of never-ceasing intensity. Philharmonic Five knows how to impart this intensity to the work in their interpretation by virtue of their art of phrasing and expressive dynamics.
Supported by
