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Monday MON 1 January 0001
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Tuesday TUE 6 June 2023
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Thursday THU 8 June 2023
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Thursday THU 22 June 2023
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Sunday SUN 29 January 2023
Lars Mortensen

Lars Mortensen © Lees Photo

Resonanzen: Concerto Copenhagen / Mortensen

»La resurrezione«

Sunday 29 January 2023
19:00 – ca. 21:15
Großer Saal

 

Performers

Concerto Copenhagen

Emőke Baráth, Maddalena (Sopran)

Eleonora Bellocci, Angelo (Sopran)

Margherita Maria Sala, Cleofe (Contralto)

Gwilym Bowen, S. Giovanni (Tenor)

Mauro Borgioni, Lucifero (Bass)

Lars Ulrik Mortensen, Orgel, Leitung

Programme

Georg Friedrich Händel

La resurrezione. Oratorium in zwei Teilen HWV 47 (Libretto: Carlo Sigismondo Capece) (1708)

Note

Angela Hicks musste absagen. Wir danken Eleonora Bellocci, dass sie sich bereit erklärt hat, die Partie des Angelo kurzfristig zu übernehmen.
Unterstützt von BUWOG
Medienpartner Ö1 Club und Der Standard

Subscription series VokalKlang
»Resonanzen«-Abo
4er-Package »Resonanzen«

Festival Resonanzen »Unterwelten«

Links https://www.coco.dk

Presented by Wiener Konzerthausgesellschaft

»La resurrezione«

It is one of Handel's absolute masterpieces and yet is now being performed by Concerto Copenhagen for the first time in almost 40 years at the Vienna Konzerthaus: the two-part Roman oratorio »La resurrezione« ('The Resurrection'). At the beginning of the 18th century, when a papal ban on opera was intended to counteract the moral decay of the city, oratorios served as a substitute drug for the pleasure-seeking (church) aristocracy. The spectacular first performance on Easter Sunday 1708 by a 50-piece orchestra was conducted by Arcangelo Corelli. Margherita Durastante shone in the role of Maddalena - a scandal! At that time, the participation of women in oratorios was a veritable sacrilege.

Supported by

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