12
Tuesday TUE 12 November 2024
23
Saturday SAT 23 November 2024
24
Sunday SUN 24 November 2024
1
Monday MON 1 January 2024
2
Tuesday TUE 2 January 2024
3
Wednesday WED 3 January 2024
4
Thursday THU 4 January 2024
5
Friday FRI 5 January 2024
7
Sunday SUN 7 January 2024
8
Monday MON 8 January 2024
9
Tuesday TUE 9 January 2024
10
Wednesday WED 10 January 2024
11
Thursday THU 11 January 2024
12
Friday FRI 12 January 2024
14
Sunday SUN 14 January 2024
15
Monday MON 15 January 2024
16
Tuesday TUE 16 January 2024
17
Wednesday WED 17 January 2024
18
Thursday THU 18 January 2024
19
Friday FRI 19 January 2024
20
Saturday SAT 20 January 2024
21
Sunday SUN 21 January 2024
22
Monday MON 22 January 2024
23
Tuesday TUE 23 January 2024
24
Wednesday WED 24 January 2024
25
Thursday THU 25 January 2024
26
Friday FRI 26 January 2024
27
Saturday SAT 27 January 2024
28
Sunday SUN 28 January 2024
29
Monday MON 29 January 2024
30
Tuesday TUE 30 January 2024
31
Wednesday WED 31 January 2024

Phace © Markus Sepperer

PHACE / de Paz

»Professor Bad Trip«

Tuesday 9 January 2024
19:30 – ca. 21:00
Berio-Saal

 

Performers

PHACE

Nacho de Paz, Dirigent

Programme

Emre Sihan Kaleli

A Dark Light / A Black Sun (2023) (UA)
Kompositionsauftrag von PHACE

Alexander Kaiser

[ˈprɪz(ə)m] (2014–2016)

***

Fausto Romitelli

Professor Bad Trip: Lesson I (1998)

Professor Bad Trip: Lesson II (1998–1999)

Professor Bad Trip: Lesson III (2000)

Note

Freie Platzwahl

Subscription series PHACE

Links https://www.phace.at
https://nachodepaz.com

Presented by Wiener Konzerthausgesellschaft

»Professor Bad Trip«

Fausto Romitelli's work, which is inspired by the descriptions of the effects of mescaline in the works of Henri Michaux, is all about »the artificial, the distorted, the filtered«. Romitelli forges sound sculptures that materialize like surreal musical visions of the deformations, distortions and disfigurements in Francis Bacon's paintings. Influenced by the distorted and »dirty« sounds of psychedelic rock music, Romitelli creates a unique music that unfolds waves of melodic fragments over seductively fragile harmonies, exalted embellishments and rushing glissandi, only to collapse again and again. Material is shaken up, develops expressive metastases, like a virus-infested musical mutant that becomes a beautifully eerie monster and captivates the listener. The music of Alexander Kaiser, who in [ˈprɪz(ə)m] takes on the promises of a perfect world through comprehensive communication surveillance in the Western hemisphere, has a similarly wild outcome. Musically, the piece can be understood as a transformation of energy, with diverse influences from jazz, punk and electronic music merging into a rhythmically pronounced soundscape. There is usually more than enough expressive energy in the music of Emre Sihan Kaleli, who likes to work with intensity, impulsiveness and variability and will contribute a new work for the concert.



TICKET- & SERVICE-CENTER

Wiener Konzerthaus
Lothringerstrasse 20
A-1030 Wien

Telephone +43 1 242 002
Fax: +43 1 24200-110
ticket@konzerthaus.at

Opening and telephone hours
September to June

Monday to Friday 10.00 am to 6.00 pm
Saturday 10.00 am to 2.00 pm

July and August

Monday to Friday 10.00 am to 2.00 pm

Closed
September to June: Sundays and public holidays | 24th December | Good Friday
July and August: Saturdays, Sundays and public holidays
Please purchase your tickets on these days online.

Evening box office

1 hour prior to performances
Only ticket purchases and collections for the events of the respective day or evening can be made.

The Wiener Konzerthaus would like to thank all its sponsors and cooperation partners.