Markus Meyer © Jim Rakete / Burgtheater
Markus Meyer / Cedric Pescia
Henri-Pierre Roché: Jules und Jim
Wednesday
14
February
2024
19:30
Mozart-Saal
Performers
Markus Meyer, Lesung
Cédric Pescia, Klavier
Programme
Henri-Pierre Roché
Jules und Jim
Maurice Ravel
Valses nobles et sentimentales (Nr. 1: Modéré – très franc) (1911)
Johannes Brahms
Walzer H-Dur op. 39/1 (1865)
Maurice Ravel
Valses nobles et sentimentales (Nr. 3: Modéré) (1911)
Erik Satie
Première Gnossienne (1890)
Je te veux. Valse chantée (1900)
Arnold Schönberg
Sechs kleine Klavierstücke op. 19 (1911)
Francis Poulenc
Improvisation Nr. 15 c-moll »Hommage à Edith Piaf« (1959)
Richard Wagner
Elegie As-Dur (1859–1882)
Claude Debussy
Minstrels (Douze Préludes, 1. Buch) (1910)
Erik Satie
Vexations (1892–1893)
La pieuvre (Sports et divertissements) (1914)
Première Gnossienne (1890)
Frédéric Chopin
Nocturne F-Dur op. 15/1 (1830–1831)
Erik Satie
Les courses (Sports et divertissements)
Première Gymnopédie (1888)
Note
Medienpartner Ö1 Club
Subscription series
Literatur im Konzerthaus
Links
http://www.cedric-pescia.com
Presented by
Wiener Konzerthausgesellschaft
Henri-Pierre Roché: Jules et Jim
The famous filmmaker François Truffaut recalls his correspondence with the author Henri-Pierre Roché: »If I were to make films one day, I would like to make ›Jules and Jim‹. He [Henri-Pierre Roché] liked the idea. We agreed that I would write the screenplay and he would write the dialogue, ›loose and tight‹, as he said himself.« Truffaut was delighted with his discovery of the nouvelle vague novel, which he found by chance in a box in a Paris bookshop. »Jules and Jim« tells the story of a love triangle and a male friendship - and the novel struck a chord with the times. It not only fascinated the filmmaker Truffaut, but also a large readership: the novel, which is based on autobiographical elements, and its film adaptation by Truffaut achieved the status of a classic of French cultural life.
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