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Tuesday TUE 12 November 2024
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Saturday SAT 23 November 2024
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Sunday SUN 24 November 2024
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Monday MON 18 March 2024
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Tuesday TUE 19 March 2024
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Wednesday WED 20 March 2024
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Friday FRI 22 March 2024
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Saturday SAT 23 March 2024
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Sunday SUN 24 March 2024
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Wednesday WED 27 March 2024
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Thursday THU 28 March 2024
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Friday FRI 29 March 2024
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Sunday SUN 31 March 2024
Eduard und Johannes Kutrowatz

Eduard und Johannes Kutrowatz © Ferry Nielsen

Jan Willem de Vriend

Jan Willem de Vriend © Marcel van den Broek

Wiener KammerOrchester / Klavierduo Kutrowatz / de Vriend

Sunday 10 March 2024
10:30
Mozart-Saal

 

Performers

Wiener KammerOrchester

Klavierduo Kutrowatz

Eduard Kutrowatz, Klavier

Johannes Kutrowatz, Klavier

Jan Willem de Vriend, Dirigent

Programme

Jean Sibelius

Impromptu für Streichorchester (1894)

Eduard Kutrowatz

Concerto Nr. 1 für zwei Klaviere, Streichorchester und Percussion (2015–2018)

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Zugabe:

Dave Brubeck

Blue Rondo à la Turk

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Franz Liszt

Ungarische Rhapsodie Nr. 2 cis-moll S 244/2 (Bearbeitung für Streichorchester: Peter Wolf) (1846–1851)

Wolfgang Amadeus Mozart

Serenade D-Dur K 239 »Serenata Notturna« (1776)

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Zugabe:

Luigi Boccherini

2. Satz: Andantino con moto (Sinfonia d-moll G 506 »La casa del diavolo«) (1776))

Subscription series Matineen des Wiener KammerOrchesters

Links https://www.kammerorchester.com
https://www.janwillemdevriend.com
https://pianoduo.kutrowatz.art

Presented by Wiener Konzerthausgesellschaft

Past and present

The pianist and composer Eduard Kutrowatz described a movement of his Concerto No. 1 for two pianos, string orchestra and percussion as an homage to Franz Liszt. The concerto, which was composed between 2015 and 2018, will be performed by the Kutrowatz piano duo. A composition by Franz Liszt will also be heard at the Vienna Chamber Orchestra's matinee: The Vienna Chamber Orchestra performs an arrangement for string orchestra of Liszt's Hungarian Rhapsody No. 2, which is probably one of the most famous works by the Romantic composer. Wolfgang Amadeus Mozart's »Serenata Notturna«, on the other hand, is reminiscent of a much older sound practice: Its structure borrows from the Baroque concerto grosso technique and makes it clear how vital a much older music-making practice was in Mozart's time.
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