Performers
Wiener Symphoniker
Cornelius Meister, Dirigent
Im Anschluss an das Konzert im Großen Foyer:
Les Lilas
Elena Kodin, Violine
Isabella Stepanek, Viola
Wilfried Bartel, Gitarre
Jean-Bernard Descharles, Gitarre, Gesang
Thomas Reimer, Kontrabass
Nicolas Geremus, Violine
Heinrich Bruckner, Trompete
Programme
Anton Bruckner
Symphonie Nr. 5 B-Dur (1875–1878)
Im Anschluss an das Konzert Ausklang im Großen Foyer mit
Les Lilas
Django Reinhardt, Stéphane Grappelli
Djangology (1961)
Nicolas Geremus
Elenisi Blues
Django Reinhardt
Place de Brouckere
Grady Tate
Swing Gitan
John W. Green, Carmen Lombardo
Coquette
Anonymus
Peor es nada. Volkslied aus Mexiko
Benny Golson
I remember Clifford
Rudolf Mauz
Itamar Freilach
Serge Gainsbourg
Le poinçonneur des lilas
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Zugabe:
Jonathan David Buck, Eliot Kennedy
Say you'll be there
Ben Bernie, Maceo Pinkard
Sweet Georgia Brown
Stéphane Grappelli, Django Reinhardt
Minor swing
Note
Unterstützt von OMV
Lahav Shani musste seine Mitwirkung kurzfristig absagen. Wir freuen uns, dass sich Cornelius Meister bereit erklärt hat, das Dirigat zu übernehmen.
Dieses Konzert wird im Rahmen einer Kooperation zwischen der Wiener Konzerthausgesellschaft und den Wiener Symphonikern veranstaltet. Weitere Informationen zur Datenverarbeitung bei Kooperationsveranstaltungen, Speicherdauer und Ihren Rechten finden Sie in unserer
Datenschutzerklärung.
Subscription series
Fridays@7
Links
https://www.wienersymphoniker.at
https://www.corneliusmeister.net
Günter Wand (1912-2002), one of the most accomplished Bruckner connoisseurs and interpreters, counted his Fifth Symphony (alongside the Ninth) as one of the composer's most »authentic« symphonies. Here, »where Bruckner's distance from the world becomes clearer than anywhere else«, he shows himself to be »totally uninfluenced« by any role models or whisperers. Posterity occasionally gave the work, which its creator himself had never heard played by an orchestra, strange epithets or descriptions such as »Symphony of Faith« or »Catholic«. Bruckner himself referred to his Fifth as the »Fantastic« or his »contrapuntal masterpiece«. For a long time, the symphony remained in the repertoire in an arrangement by Franz Schalk, in which it also received its mutilated premiere. (It was even performed again and again in this form at the Wiener Konzerthaus until the end of the 1980s). Today, however, Bruckner's original idea has prevailed and, of course, only original parts are used in the concerts of the Vienna Symphony Orchestra under Cornelius Meister.