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Marie Jacquot © David Payr

Wiener Symphoniker / Kholodenko / Jacquot

Sunday 9 March 2025
11:00
Großer Saal

Performers

Wiener Symphoniker

Vadym Kholodenko, Klavier

Marie Jacquot, Dirigentin

Barbara Rett, Präsentation

Programme

Richard Wagner

Ouverture zu »Tannhäuser« (1845)

Franz Liszt

Konzert für Klavier und Orchester Nr. 2 A-Dur S 125 (1848)

***

Richard Wagner

Vorspiel und Liebestod (Tristan und Isolde) (1857–1859)

Augusta Mary Anne Holmès

Roland furieux. Symphonie nach Ariost (1877)

Note

Dieses Konzert wird im Rahmen einer Kooperation zwischen der Wiener Konzerthausgesellschaft und den Wiener Symphonikern veranstaltet. Weitere Informationen zur Datenverarbeitung bei Kooperationsveranstaltungen, Speicherdauer und Ihren Rechten finden Sie in unserer Datenschutzerklärung.

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Links https://www.wienersymphoniker.at
https://marie-jacquot.com
https://vadymkholodenko.com

Presented by Wiener Konzerthausgesellschaft

La nouvelle Orphée

They still exist, the compositional discoveries: Conductor Marie Jacquot, the first woman to conduct Beethoven's Ninth at the Vienna Konzerthaus, has put together a program for the Vienna Symphony Orchestra that ends with a symphonic poem by Augusta Mary Anne Holmès, a pianist, singer, poet and composer from the circle around César Franck. The daughter of an Irish officer, she lived in Paris, where she composed several symphonic poems, symphonies, operas and songs. She received a comprehensive education, spoke several languages and wrote most of the texts for her songs, operas and oratorios herself. She was denied an education at the Paris Conservatoire, but was taught privately - by César Franck, among others. Her musical guiding stars were Richard Wagner and Franz Liszt, both of whom she met on a trip to Germany in 1876, when she was writing her »Rasender Roland«. She celebrated great success with a commissioned composition, a triumphal ode for the centenary of the French Revolution, which was performed with bombastic pomp at the opening of the Eiffel Tower at the World Exhibition. The concert will feature her »Rasender Roland«, in which Holmès paints three scenes from Ludovico Ariosto's epic in a very vivid and colorful way. The program also includes works by her great role models: Wagner's Tannhäuser Overture, Prelude and Liebestod from »Tristan und Isolde« and Listz's 2nd Piano Concerto, played by Vadym Kholodenko.
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