Philharmonix © Max Parovsky
Philharmonix
»Die dritte Wiener Schule«
Monday
25
April
2022
19:30
Großer Saal
Performers
Philharmonix
Noah Bendix-Balgley, Violine
Sebastian Gürtler, Violine
Thilo Fechner, Viola
Stephan Koncz, Violoncello
Ödön Rácz, Kontrabass
Daniel Ottensamer, Klarinette
Christoph Traxler, Klavier
Programme
»Die dritte Wiener Schule«
Johann Strauß (Sohn)
Klänge der Heimat (Csardas der Rosalinde aus »Die Fledermaus«) (Bearbeitung: Stephan Koncz) (1874)
Paolo Conte
Azzurro (Bearbeitung: Daniel Ottensamer)
Arnold Schönberg
Kammersymphonie für 15 Solo-Instrumente op. 9 (Bearbeitung: Stephan Koncz) (1906)
***
Stephan Koncz
Requiem for Falco
Sebastian Gürtler
Ludwig's nightmare
Arnold Schönberg
Notturno (Bearbeitung: Thilo Fechner) (1896)
Johann Strauß (Sohn)
Ouverture zu »Die Fledermaus« (Bearbeitung: Sebastian Gürtler) (1874)
Georg Breinschmid
Komisches Wienerlied (Bearbeitung: Sebastian Gürtler)
John Lennon, Paul McCartney
Yesterday (Bearbeitung: Sebastian Gürtler)
Noah Bendix-Balgley
Odessa Bulgar
Sting
Russians (Bearbeitung: Stephan Koncz)
-----------------------------------------
Zugabe:
Christina Macpherson
Waltzing Matilda (Bearbeitung: Stephan Koncz)
Sting
Englishman in New York (Bearbeitung: Stephan Koncz) (1987)
Note
Unterstützt von Wiener Städtische Versicherungsverein und Wiener Städtische
Subscription series
Philharmonix
Links
https://www.philharmonix.cc
Presented by
Wiener Konzerthausgesellschaft
»The Third Viennese School«
»The Philharmonix are all about having fun with music – for themselves, and for their audience,« the ensemble proclaims on its website. This is also the reason why the seven virtuoso musicians, who can be found with the Vienna and Berlin Philharmonic orchestras, among others, have come together. Together they can play what is never on the program of their famous orchestras. With their arrangements, the Philharmonix delight an international audience: hot dance rhythms, Hollywood melodies, pop songs and even children's songs enter into a successful symbiosis with compositions of so-called »serious music« - on a world-class level. As if that alone were not enough incentive to follow them into new musical realms, they now also set out to explore a »third Viennese school.«
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