Performers
phil Blech Wien
Thomas Fleißner, Trompete
Stephan Fleißner, Trompete
Helmut Fuchs, Trompete
Patrick Hofer, Trompete
Alexander Mayr, Trompete
Markus Hartner, Horn
Raphael Stöffelmayr, Horn
Reinhard Zmölnig, Horn
Christian Eisenhut, Posaune
Andreas Eitzinger, Posaune, Tenorhorn
Florian Strasser, Bassposaune
Mark Gaal, Bassposaune
Christoph Gigler, Tuba
Sebastian Brugner-Luiz, Pauken
Maximilian Thumerer, Schlagwerk
Peter Dullnig, Schlagwerk
Leonhard Waltersdorfer, Schlagwerk, Celesta
Damen der Wiener Singakademie
Damen des Chorus Juventus
Damen des coro siamo
Olivier Latry, Orgel
Anton Mittermayr, Leitung
Programme
Gerd Hermann Ortler
Urknall. The birth of the universe für Orgel, Blechbläserensemble, Schlagwerk und Frauenchor (2022) (UA)
Kompositionsauftrag des Wiener Konzerthauses
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Gustav Holst
Die Planeten. Suite für großes Orchester op. 32 (Bearbeitung für Orgel, Blechbläserensemble, Schlagwerk und Frauenchor: Mark Gaal) (1914–1918) (UA)
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Zugabe:
Otto Nicolai
O süßer Mond (Mondchor aus »Die lustigen Weiber von Windsor«) (Bearbeitung: Mark Gaal)
Note
Medienpartner Ö1 Club
Subscription series
Orgel
The Art of Brass
Links
https://www.wienersingakademie.at
https://philblech.at
This extraordinary evening takes us into outer space: the program includes Gustav Holst's orchestral suite »The Planets«, composed between 1914 and 1918. Mark Gaal, bass trombonist with Phil Blech Vienna, has arranged it especially for organ, brass ensemble, percussion and women's choir for the occasion of the concert. How he thinks the birth of the universe must have sounded is demonstrated by Gerd Hermann Ortler in his work »Urknall« - a composition commissioned by the Vienna Konzerthaus. In his compositions, the South Tyrolean focuses particularly on the development and processing of motifs and textures, which he places in a narrative context by means of a genre-crossing tonal language in order to break down genre-specific associations and expectations, as well as to bring together elements of new music and jazz.
Phil Blech Wien are fifteen musical personalities from renowned Viennese orchestras, all trained in Vienna. Their declared goal is to preserve the Viennese brass and percussion tradition and to give it new impulses. The composition of the instruments corresponds to that of a Viennese orchestra; rotary valve trumpet, Viennese horn and Viennese timpani provide the harmonic, round and soft sound specific to this city. The organ is played by Olivier Latry, one of the most famous organists in the world. For some 35 years he has been one of three titular organists at the Great Organ of Notre-Dame de Paris Cathedral. This post is one of the most prestigious in the organ world. Not only because the building of Notre-Dame also marks the birth – the big bang, so to speak – of European art music