Performers
Anna Prohaska, Sopran
Julius Drake, Klavier
Programme
»Paradise Lost«
Eva erwacht
Maurice Ravel
Trois beaux oiseaux du paradis (Trois chansons) (1914–1915)
Olivier Messiaen
Bonjour toi, colombe verte (Harawi. Chant d'amour et de mort Nr. 2) (1945)
Jean-Yves Daniel-Lesur
Ce qu'Adam dit à Ève (Clair comme le jour Nr. 1) (1945)
Claude Debussy
Apparition (1884)
Der Sündenfall
Maurice Ravel
Arrière! ... je réchauffe les bons (Air du Feu aus »L'enfant et les sortilèges«) (1920–1925)
Igor Strawinski
Pastorale. Lied ohne Worte (1907)
Hugo Wolf
Die Spröde (Goethe-Lieder Nr. 26) (1889)
Die Bekehrte (Goethe-Lieder Nr. 27) (1889)
Aribert Reimann
Gib mir den Apfel (Kinderlieder Nr. 6) (1961)
Benjamin Britten
A poison tree op. 74/6 (Songs and proverbs of William Blake) (1965)
Hans Pfitzner
Röschen biss den Apfel an op. 33/6 (Alte Weisen) (1923)
Johannes Brahms
Salamander op. 107/2 (1886)
***
Vertreibung aus dem Paradies
Sergej Rachmaninoff
A-u! »Au!« op. 38/6 (Sechs Lieder) (1916)
Charles Ives
Evening (1921)
Henry Purcell
Sleep, Adam, sleep and take thy rest Z 195 (1693)
Franz Schubert
Auflösung D 807 (1824)
Abendstern D 806 (1824)
Robert Schumann
Jetzt sank des Abends gold'ner Schein (Das Paradies und die Peri op. 50) (1843)
Warte, warte, wilder Schiffmann op. 24/6 (Liederkreis) (1840)
Das irdische Leben
Hanns Eisler
Jeden Morgen mein Brot zu verdienen (Die Hollywood-Elegien)
Hollywood »Diese Stadt hat mich belehrt« (Die Hollywood-Elegien)
Gustav Mahler
Das irdische Leben (Des Knaben Wunderhorn) (1893)
George Crumb
Wind elegy (Three early songs) (1947)
Leonard Bernstein
Silhouette (Galilee) (1951)
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Zugabe:
Anonymus
I will give my love an apple. Volkslied (Bearbeitung: Julius Drake)
Note
Ersatztermin für den 21. Juni 2022
Subscription series
Lied
Links
https://juliusdrake.com
http://www.annaprohaska.com
She rose like a comet, accompanied by grandees such as Claudio Abbado, Pierre Boulez or Nikolaus Harnoncourt. Today Anna Prohaska belongs to the brightly shining fixed stars – and even more: in a distinctive way the soprano, born in 1983, embodies that new self-understanding which our days have brought forth for the art of musical interpretation. Her field of activity ranges from old to classical-romantic and new music. Anna Prohaska's broad horizons are complemented by her artistic and intellectual vigor. For her, a song recital can be more than just a song recital; it can become a deliberately and thoroughly refined work of art. And so she has put together a dramaturgically sophisticated program for her recital that illuminates the biblical figure of Eve in compositions from Fauré to Debussy and Mahler to Messiaen. While the first part revolves around temptation and the fall of man, after the intermission the program turns to earthly life and damnation.