Emmanuel Tjeknavorian © Lukas Beck
Wiener Symphoniker / Tjeknavorian
Monday
26
September
2022
19:30 – ca. 21:15
Großer Saal
Performers
Wiener Symphoniker
Ines Galler-Guggenberger, Oboe
Patrick de Ritis, Fagott
Christoph Stradner, Violoncello
Emmanuel Tjeknavorian, Violine, Dirigent
Programme
Johannes Brahms
Tragische Ouverture d-moll op. 81 (1880)
Variationen über ein Thema von Joseph Haydn op. 56a (1873)
***
Joseph Haydn
Sinfonia concertante B-Dur Hob. I/105 (1792)
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Zugabe:
Joseph Haydn
Vivace »Der Kaffeeklatsch« Hob. XIX/6 (Stücke für eine Flötenuhr Nr. 18) (1772)
Josef Strauß
Die Libelle. Polka mazurka op. 204 (1866)
Johann Strauß (Sohn)
Wein, Weib und Gesang. Walzer op. 333 (1869)
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Zugabe:
Johann Strauß (Sohn), Josef Strauß
Pizzicato-Polka (1870)
Joseph Hellmesberger jun.
Danse diabolique
Note
Dieses Konzert wird im Rahmen einer Kooperation zwischen der Wiener Konzerthausgesellschaft und den Wiener Symphonikern veranstaltet. Weitere Informationen zur Datenverarbeitung bei Kooperationsveranstaltungen, Speicherdauer und Ihren Rechten finden Sie in unserer
Datenschutzerklärung.
Subscription series
Cuvée 1
Links
https://www.wienersymphoniker.at
https://www.emmanueltjeknavorian.com
Presented by
Wiener Konzerthausgesellschaft
Optimism Made Sound
In his »Tragic Overture,« Johannes Brahms set the tragic itself to music. He renounced scenic inspiration during the creative process and confessed that he had »no particular tragedy in mind as a subject.« Instead, between elaborately shadowed turns of phrase and indulgent pathos, he also brings out the optimism of those who recognize the sublime in suffering – and smile through their tears. With his »Variations on a Theme by Joseph Haydn,« Brahms expressed his admiration for Haydn's epoch. He composed a masterpiece in which the proportions of instrumentation, form and thematic treatment are almost ideal. Johannes Brahms, who still shied away from composing symphonies in those years under the seemingly overpowering impression of Beethoven's symphonies, provided himself with security on the terrain of symphonic orchestral music with the »Haydn Variations«. At the same time, he founded a new form – the orchestral variations. Joseph Haydn himself has his say with his »Sinfonia concertante« in the second half of the concert, where he finds himself in the best company with Josef and Johann Strauss. On this evening, our portraited artist in 2022/23 Emmanuel Tjeknavorian can be experienced not only as a conductor, but also as a violinist.