Katharina-Suske © Giro-Annen
Die Freitagsakademie / Suske
Tuesday
25
April
2023
19:30 – ca. 21:00
Mozart-Saal
Performers
Die Freitagsakademie
Stefano Vezzani, Oboe, Oboe d'amore
Sergio Azzolini, Fagott
Christian Holenstein, Horn
Daniel Lienhard, Horn
Ján Krigovský, Violone
Jonathan Rubin, Laute
Christian Rieger, Cembalo, Orgel
Katharina Suske, Oboe, Künstlerische Leitung
Programme
»Windspiele«
Georg Philipp Telemann
Ouverture TW 55/F9 »La Chasse«
Antonio Vivaldi
Sonata a quattro C-Dur RV 801
Jan Dismas Zelenka
Sonata Nr. 2 g-moll ZWV 181/2 (1715/1716 ca.)
Georg Friedrich Händel
Air mit fünf Variationen (Suite Nr. 3 d-moll HWV 428) (1720 vor)
Air F-Dur HWV 410
Air F-Dur HWV 411
Johann Friedrich Fasch
Sonate g-moll FWV N:g1 für zwei Oboen, Fagott und Basso continuo
Georg Philipp Telemann
Concerto à 5 D-Dur TWV 44/d2
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Zugabe:
Georg Philipp Telemann
2.Satz: Allegro (Concerto à 5 D-Dur TWV 44/d2)
Note
Medienpartner Ö1 Club
Subscription series
Originalklang
Links
https://www.freitagsakademie.com
Presented by
Wiener Konzerthausgesellschaft
Wind chimes
In 1738, J. Ph. Eisel wrote about the hautboy, the baroque oboe: »It is used in the field, at the opera, in merry companies and also in churches.« This had been developed in the second half of the 17th century at the court of the Sun King Louis XIV. Members of the Hotteterre and Philidor families, who had long been court musicians, made a special contribution to the instrument, which finally began its triumphal march in Europe in the first half of the 18th century. Musicians such as Telemann, Vivaldi, Zelenka and Fasch composed sonatas and (double) concertos for it. The Friday Academy and Katharina Suske have put together a program of works written in Germany, Italy and Bohemia. An opportunity to listen to »wind plays« that are rarely heard!