Thursday THU 13 June 2024
Friday FRI 21 June 2024
Sunday SUN 30 June 2024
Friday FRI 10 November 2023

Bibiana Beglau © Rene Fietzek

Bibiana Beglau / Su Yeon Kim

Christa Wolf: Medea. Stimmen

Wednesday 22 November 2023



Bibiana Beglau, Lesung

Su Yeon Kim, Klavier


Christa Wolf

Medea. Stimmen

Maurice Ravel

Ondine (Gaspard de la nuit Nr. 1) (1908)

Dmitri Schostakowitsch

Präludium C-Dur op. 34/1 (1932–1934)

Präludium a-moll op. 34/2 (1932–1934)

Präludium e-moll op. 34/4 (1932–1934)

Präludium cis-moll op. 34/10 (1932–1934)

Präludium H-Dur op. 34/11 (1932–1934)

Präludium Des-Dur op. 34/15 (1932–1934)

Präludium Es-Dur op. 34/19 (1932–1934)

Präludium c-moll op. 34/20 (1932–1934)

Wolfgang Amadeus Mozart

Adagio h-moll K 540 (1788)

Franz Liszt

Weinen, Klagen, Sorgen, Zagen S 179 (Bearbeitung für Klavier nach Johann Sebastian Bach BWV 12) (1859)


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Links https://www.suyeonkimpianist.com

Presented by Wiener Konzerthausgesellschaft


A myth correction at the end of the 20th century is heard by Bibiana Beglau: in her novel »Medea. Stimme« (Medea: Voices), Christa Wolf draws on rather unknown, very early versions of the »Medea« myth, in which Medea appears as a foreign sorceress from Colchis who finds no connection in Greek Corinth. The infanticide, which is known from many later versions of the Medea material, was not yet present in early versions of the myth - and consequently also not in that adaptation by Christa Wolf.

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