Bibiana Beglau © Rene Fietzek
Bibiana Beglau / Su Yeon Kim
Christa Wolf: Medea. Stimmen
Wednesday
22
November
2023
12:30
Schubert-Saal
Performers
Bibiana Beglau, Lesung
Su Yeon Kim, Klavier
Programme
Christa Wolf
Medea. Stimmen
Maurice Ravel
Ondine (Gaspard de la nuit Nr. 1) (1908)
Dmitri Schostakowitsch
Präludium C-Dur op. 34/1 (1932–1934)
Präludium a-moll op. 34/2 (1932–1934)
Präludium e-moll op. 34/4 (1932–1934)
Präludium cis-moll op. 34/10 (1932–1934)
Präludium H-Dur op. 34/11 (1932–1934)
Präludium Des-Dur op. 34/15 (1932–1934)
Präludium Es-Dur op. 34/19 (1932–1934)
Präludium c-moll op. 34/20 (1932–1934)
Wolfgang Amadeus Mozart
Adagio h-moll K 540 (1788)
Franz Liszt
Weinen, Klagen, Sorgen, Zagen S 179 (Bearbeitung für Klavier nach Johann Sebastian Bach BWV 12) (1859)
Note
Mittagsmenü im Konzerthaus-Restaurant EssDur vor und nach dem Konzert. Reservierung: +43 1 5125550 · restaurant@essdur.wien
Subscription series
Musik und Dichtung
Links
https://www.suyeonkimpianist.com
Presented by
Wiener Konzerthausgesellschaft
Medea
A myth correction at the end of the 20th century is heard by Bibiana Beglau: in her novel »Medea. Stimme« (Medea: Voices), Christa Wolf draws on rather unknown, very early versions of the »Medea« myth, in which Medea appears as a foreign sorceress from Colchis who finds no connection in Greek Corinth. The infanticide, which is known from many later versions of the Medea material, was not yet present in early versions of the myth - and consequently also not in that adaptation by Christa Wolf.