Bibiana Beglau © Rene Fietzek
Bibiana Beglau / Su Yeon Kim
Christa Wolf: Medea. Stimmen
Wednesday
22
November
2023
12:30
Schubert-Saal
Performers
Bibiana Beglau, Lesung
Su Yeon Kim, Klavier
Programme
Christa Wolf
Medea. Stimmen
Strichfassung: Rita Czapka
Maurice Ravel
Ondine (Gaspard de la nuit Nr. 1) (1908)
Dmitri Schostakowitsch
Präludium C-Dur op. 34/1 (1932–1934)
Präludium e-moll op. 34/4 (1932–1934)
Präludium c-moll op. 34/20 (1932–1934)
Präludium cis-moll op. 34/10 (1932–1934)
Präludium H-Dur op. 34/11 (1932–1934)
Franz Liszt
Weinen, Klagen, Sorgen, Zagen S 179 (Bearbeitung für Klavier nach Johann Sebastian Bach BWV 12) (1859)
Dmitri Schostakowitsch
Präludium Des-Dur op. 34/15 (1932–1934)
Präludium a-moll op. 34/2 (1932–1934)
Wolfgang Amadeus Mozart
Adagio h-moll K 540 (1788)
Dmitri Schostakowitsch
Präludium Es-Dur op. 34/19 (1932–1934)
Note
Mittagsmenü im Konzerthaus-Restaurant EssDur vor und nach dem Konzert. Reservierung: +43 1 5125550 · restaurant@essdur.wien
Subscription series
Musik und Dichtung
Links
https://www.suyeonkimpianist.com
Presented by
Wiener Konzerthausgesellschaft
Medea
A myth correction at the end of the 20th century is heard by Bibiana Beglau: in her novel »Medea. Stimme« (Medea: Voices), Christa Wolf draws on rather unknown, very early versions of the »Medea« myth, in which Medea appears as a foreign sorceress from Colchis who finds no connection in Greek Corinth. The infanticide, which is known from many later versions of the Medea material, was not yet present in early versions of the myth - and consequently also not in that adaptation by Christa Wolf.
Publications
Program sheet 1
Program sheet 2