Iván Fischer © Istvan Kurcsak
Budapest Festival Orchestra / Eberle / Isserlis / Iván Fischer
Monday
13
May
2024
19:30
Großer Saal
Performers
Budapest Festival Orchestra
Veronika Eberle, Violine
Steven Isserlis, Violoncello
Iván Fischer, Dirigent
Programme
Johannes Brahms
Ungarischer Tanz Nr. 21 e-moll (Bearbeitung für Orchester: Antonín Dvořák) (1880/1880)
Konzert für Violine, Violoncello und Orchester a-moll op. 102 (1887)
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Maurice Ravel
2. Satz: Très vif (Sonate C-Dur für Violine und Violoncello) (1920–1922)
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Johannes Brahms
Ungarischer Tanz Nr. 14 d-moll (Bearbeitung für Orchester: Albert Parlow) (1880/1881)
Symphonie Nr. 4 e-moll op. 98 (1884–1885)
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Zugabe:
Johannes Brahms
Abendständchen op. 42/1 »Hör, es klagt die Flöte wieder« (1859)
Subscription series
Orchester international
Links
https://www.bfz.hu
http://stevenisserlis.com
Presented by
Wiener Konzerthausgesellschaft
A North German on the edge of the Alps
Exactly three months to the day after the first evening dedicated to Brahms' orchestral music, Iván Fischer and his Budapest Festival Orchestra are performing another such concert at the Vienna Konzerthaus: this time the programme features the last contributions to the symphonic and instrumental concerto genres that Brahms composed in the mid-1880s: In the summer months of 1884/85, the 4th Symphony in E minor was composed in Mürzzuschlag - a place where, according to Brahms' testimony, »the cherries did not become sweet and edible« and which therefore produced a rather tart tone. Two years later, Brahms composed a double concerto for violin and cello in Thun, Switzerland, one of the very rare examples of a late Romantic Sinfonia concertante with more than just one solo part and his last orchestral work ever. The soloists are violinist Veronika Eberle, who has long since matured from a child prodigy to a masterful artist, and cellist Steven Isserlis, now a celebrated old master of his craft.