13
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21
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30
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9
Thursday THU 9 May 2024
18
Saturday SAT 18 May 2024
Cornelius Meister

Cornelius Meister © Matthias Baus

Wiener Symphoniker / Sternath / Meister

Bruckner: Symphonie Nr. 5

Thursday 23 May 2024
19:30 – ca. 21:40
Großer Saal

 

Performers

Wiener Symphoniker

Lukas Sternath, Klavier

Cornelius Meister, Dirigent

Programme

Wolfgang Amadeus Mozart

Konzert für Klavier und Orchester A-Dur K 488 (1786)

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Zugabe:

Johannes Brahms

Intermezzo A-Dur op. 118/2 (1892)

***

Anton Bruckner

Symphonie Nr. 5 B-Dur (1875–1878)

Note

Lahav Shani musste seine Mitwirkung als Dirigent und als Pianist kurzfristig absagen. Wir freuen uns, dass sich Cornelius Meister bereit erklärt hat, das Dirigat zu übernehmen. Für den solistischen Part des Konzerts begrüßen wir Lukas Sternath. Der solistische Teil des Programms wurde adaptiert.
Dieses Konzert wird im Rahmen einer Kooperation zwischen der Wiener Konzerthausgesellschaft und den Wiener Symphonikern veranstaltet. Weitere Informationen zur Datenverarbeitung bei Kooperationsveranstaltungen, Speicherdauer und Ihren Rechten finden Sie in unserer Datenschutzerklärung.

Subscription series Wiener Symphoniker

Links https://www.wienersymphoniker.at
https://www.corneliusmeister.net
https://lukassternath.com

Presented by Wiener Konzerthausgesellschaft

Bruckner's contrapuntal masterpiece

Günter Wand (1912-2002), one of the most accomplished Bruckner connoisseurs and interpreters, counted his Fifth Symphony (alongside the Ninth) as one of the composer's most »authentic« symphonies. Here, »where Bruckner's distance from the world becomes clearer than anywhere else«, he shows himself to be »totally uninfluenced« by any role models or whisperers. Posterity occasionally gave the work, which its creator himself had never heard played by an orchestra, strange epithets or descriptions such as »Symphony of Faith« or »Catholic«. Bruckner himself referred to his Fifth as the »Fantastic« or his »contrapuntal masterpiece«. For a long time, the symphony remained in the repertoire in an arrangement by Franz Schalk, in which it also received its mutilated premiere. (It was even performed again and again in this form at the Wiener Konzerthaus until the end of the 1980s). Today, however, Bruckner's original idea has prevailed and, of course, only original parts are used in the concerts of the Vienna Symphony Orchestra under Cornelius Meister.

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