Monday MON 1 April 2024
Tuesday TUE 2 April 2024
Tuesday TUE 9 April 2024
Saturday SAT 7 October 2023

Carpenter Cameron © Julia Wesely

Cameron Carpenter, Orgel

Monday 9 October 2023
Großer Saal



Cameron Carpenter, Orgel


Johann Sebastian Bach

Präludium und Fuge pro organo pleno Es-Dur BWV 552 »St. Anne« (1737))

O Mensch, bewein' dein' Sünde groß BWV 622 (Orgel-Büchlein) (1713–1717 ca.)

Fantasie und Fuge c-moll BWV 537 (1708–1717)

Präludium und Fuge 11 F-Dur BWV 880 (Das wohltemperierte Klavier, Band II) (1738–1742)

César Franck

Choral Nr. 2 h-moll M 39 (1890)

Modest Mussorgski

Bilder einer Ausstellung (Bearbeitung für Orgel: Cameron Carpenter) (1874)



Johann Sebastian Bach

Präludium und Fuge 1 C-Dur BWV 870 (Das wohltemperierte Klavier, Band II) (Bearbeitung für Orgel: Cameron Carpenter) (1738–1742)

Jule Styne

Time after time (Bearbeitung für Orgel: Cameron Carpenter) (1947)

Cameron Carpenter



Freie Platzwahl

Subscription series Orgel

Links https://www.cameroncarpenter.com

Presented by Wiener Konzerthausgesellschaft

Virtuoso registered

»Everything he touches becomes fantastic and unforgettable«, the New York Times wrote of Cameron Carpenter. Born in Pennsylvania in 1981, the organist is known for celebrating concerts like lavish (sound) festivals. This not only brought organ music greater attention away from the enthusiast circles, but Carpenter himself won prizes and a Grammy nomination, something no organist:in before him had managed to do. Carpenter has been a guest at the Vienna Konzerthaus several times with the touring organ he built and designed for it. Now he sits down at the magnificent Rieger organ and creates virtuoso registered tone paintings of Mussorgsky's »Pictures at an Exhibition«, to which he adds compositions by César Franck and Johann Sebastian Bach.

Wiener Konzerthaus
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Monday to Friday 10.00 am to 2.00 pm

September to June: Sundays and public holidays | 24th December | Good Friday
July and August: Saturdays, Sundays and public holidays
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