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Said Fatma

Said Fatma © James Bort

Orlinski Jaku-Joze

Orlinski Jaku-Joze © Jiyang Chen

Il Giardino d'Amore / Said / Orliński / Plewniak

Saturday 2 March 2024
19:30 – ca. 21:30
Großer Saal

 

Performers

Il Giardino d'Amore

Fatma Said, Sopran

Jakub Józef Orliński, Countertenor

Stefan Plewniak, Violine, Leitung

Programme

Giovanni Battista Pergolesi

Stabat mater. Sequenz für Sopran, Alt, Orgel und Streichorchester (1736)

***

Antonio Vivaldi

Gelosia, tu già rendi l'alma (Arie des Cajo Sillo aus »Ottone in villa« RV 729)

Georg Friedrich Händel

Furibondo spira il vento (Arie des Arsace aus »Partenope« HWV 27) (1730)

Lascia ch'io pianga (Arie der Almirena aus »Rinaldo« HWV 7b) (1711)

Antonio Vivaldi

Larghetto e spiritoso und Allegro (Concerto a-moll RV 522 für zwei Violinen, Streicher und Basso continuo) (1711))

Georg Friedrich Händel

Torna sol per un momento (Arie des Tolomeo aus »Tolomeo, Re di Egitto« HWV 25) (1728)

Antonio Vivaldi

Gelido in ogni vena (Arie des Farnace aus »Farnace« RV 711) (1727)

1. Satz: Allegro (Concerto D-Dur RV 208 für Violine, Streicher und Basso continuo »Grosso Mogul«) (1715 um)

Sento in seno ch'in pioggia di lagrime (Arie des Anastasio aus »Il Giustino« RV 717) (1724)

Georg Friedrich Händel

Scherzano sul tuo volto (Duett Almirena / Rinaldo aus »Rinaldo« HWV 7b) (1711)

-----------------------------------------

Zugabe:

Claudio Monteverdi, Benedetto Ferrari

Pur ti miro, pur ti godo (L'incoronazione di Poppea) (Libretto: Giovanni Francesco Busenello) (1642–1643)

Note

Medienpartner Ö1 Club

Subscription series You(th)
Originalklang
Meisterstimmen

Links https://www.fatmasaid.com
http://ilgiardinodamore.org
https://jakubjozeforlinski.com
http://stefanplewniak.org

Presented by Wiener Konzerthausgesellschaft

Dream duet for Pergolesi

»The most perfect and touching thing that has ever flowed from the pen of any musician«, Jean-Jacques Rousseau raved about the opening duet of Pergolesi's Stabat mater. And the way in which the soprano and alto voices rise here in bittersweet secondary rhythms above the striding eighth bass is really hard to beat in terms of quiet drama and internalized lament. A freestyle for the Polish countertenor Jakub Józef Orliński and the Egyptian soprano Fatma Said, who lend their angelic voices to perhaps the best-known work by the prematurely deceased Pergolesi in the debut of the original sound ensemble Il Giardino d'Amore. Orliński, long a star in »primo uomo heaven« and at the same time a passionate break dancer and sought-after model, also exerts an unusual fascination on young audiences through his strong presence in social media. Said, for her part, regularly uses her international fame for social and political engagement. A dazzling pair, then, that will breathe a youthful freshness into Pergolesi's music.

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