Boriso-Glebsky / Hakhnazaryan / Tchaidze © Neda Navaee
Boriso-Glebsky / Hakhnazaryan / Tchaidze
Wednesday
5
June
2024
19:30
Mozart-Saal
Performers
Nikita Boriso-Glebsky, Violine
Narek Hakhnazaryan, Violoncello
Georgy Tchaidze, Klavier
Programme
Ernest Bloch
Drei Nocturnes für Klaviertrio (1924)
Mieczysław Weinberg
Klaviertrio op. 24 (1945)
***
Josef Suk
Elegie Des-Dur op. 23 »Pod dojmem Zeyerova Vyšehradu / Unter dem Eindruck von Zeyers Vyšehrad« (Fassung für Klaviertrio) (1902)
Antonín Dvořák
Klaviertrio e-moll op. 90 »Dumky-Trio« (1890–1891)
Note
Ersatztermin für den 29. April 2024
Subscription series
Klaviertrio
Links
http://boriso-glebsky.info
http://georgytchaidze.com
Presented by
Wiener Konzerthausgesellschaft
Friendships
A fine network of friendships and a preoccupation with his own origins form the extra-musical points of reference for this concerto. Together with Smetana, Dvořák established a specifically »Czech type« of the genre, particularly with the Piano Trios op. 65 and op. 90, which influenced the work of his son-in-law Josef Suk, among others. Suk's Elegy op. 23 was composed in memory of his friend Julius Zeyer and with reference to his poetry cycle »Vyšehrad«. Expelled from Poland by the National Socialists, Weinberg found a new home in Moscow and a friend and patron in Shostakovich. In his Trio op. 24 from 1945, he quotes from Shostakovich's Trio op. 67, with which he reacted to the persecution of the Jewish population in the USSR. Bloch, who was also Jewish and had already emigrated to the USA in 1924, dealt intensively with his religion, his Swiss origins and his new homeland in his works.