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Tuesday TUE 12 November 2024
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Saturday SAT 23 November 2024
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Sunday SUN 24 November 2024
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Sunday SUN 1 September 2024
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Monday MON 9 September 2024
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Saturday SAT 14 September 2024
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Monday MON 16 September 2024
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Saturday SAT 21 September 2024

Fischer Julia © Uwe Arens

Wiener Symphoniker / Fischer / Boreyko

Thursday 26 September 2024
19:30 – ca. 21:30
Großer Saal

 

Performers

Wiener Symphoniker

Julia Fischer, Violine

Andrey Boreyko, Dirigent

Programme

Johann Sebastian Bach

Konzert für Violine, Streicher und Basso continuo a-moll BWV 1041 (1717–1723)

Ludwig van Beethoven

Konzert für Violine und Orchester D-Dur op. 61 (1806)

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Johannes Brahms

Konzert für Violine und Orchester D-Dur op. 77 (1877–1878)

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Zugabe:

Ludwig van Beethoven

Romanze für Violine und Orchester F-Dur op. 50 (1802 vor)

Note

Dieses Konzert wird im Rahmen einer Kooperation zwischen der Wiener Konzerthausgesellschaft und den Wiener Symphonikern veranstaltet. Weitere Informationen zur Datenverarbeitung bei Kooperationsveranstaltungen, Speicherdauer und Ihren Rechten finden Sie in unserer Datenschutzerklärung.

Subscription series Virtuos!

Links https://www.wienersymphoniker.at
https://www.juliafischer.com

Presented by Wiener Konzerthausgesellschaft

Violin concerto marathon with Julia Fischer

It was the German pianist and conductor Hans von Bülow who coined the phrase »the three great Bs« of music history: »My musical creed is in E flat major, with three Bs in the prefix: Bach, Beethoven and Brahms!« Violin concertos by these three great composers from the Baroque, Classical and Romantic periods are performed by the wonderful virtuoso Julia Fischer on a single evening with the Vienna Symphony Orchestra under the direction of Andrey Boreyko. Beethoven and Brahms each wrote a violin concerto in D major - just over seven decades apart - which are among the most important in the entire concerto repertoire. Between them, in the middle of the 19th century, Bach's much older Violin Concerto in A minor became generally known: Composed sometime before 1730 in Köthen or Leipzig, it has only survived in a set of parts written only in part by Bach himself, and it was not until 1854 that the first printed edition appeared.
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