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Ottavio Dantone © Giulia Papetti

Resonanzen: Accademia Bizantina / Purcell Chor / Dantone

»Habsburgerpropaganda«

Tuesday 21 January 2025
19:30
Großer Saal

Performers

Accademia Bizantina

Purcell Chor, Chor
Einstudierung: György Vashegyi

Benedetta Mazzucato, Genio (Contralto)

Arianna Vendittelli, Gloria (Sopran)

Nicolò Balducci, Fama (Countertenor)

Martin Vanberg, Destino (Tenor)

Christian Senn, Valore (Bariton)

Ottavio Dantone, Dirigent

Programme

Francesco Bartolomeo Conti

Il trionfo della fama. Serenata per musica in einem Akt (1723)

Note

Medienpartner Ö1 Club

Subscription series Originalklang
Musik im Gespräch
Resonanzen
4er-Zyklus Resonanzen

Festival Resonanzen »Alte Meister«

Links https://www.accademiabizantina.it

Presented by Wiener Konzerthausgesellschaft

Habsburg propaganda

Whenever Thomas Bernhard wanted to take a swipe at the Habsburgs, he did so. Probably most bluntly in the »Old Masters«, where he does not leave a good hair on the Habsburgs' »dubious Catholic taste«. First performed in Prague on Emperor Charles VI's name day in 1723, Francesco Bartolomeo Conti's serenata »Il trionfo della fama« is one of the purest panegyrics of the ruling dynasty. Conti, Viennese court composer since 1713 and thus precisely one of those early »state artists« relentlessly denounced by Bernhard, created a work full of musical splendor and grace for »the Habsburgs, who, as you know, had no understanding of art, an ear for music yes, but no understanding of art.« (»Old Masters«)

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