12
Tuesday TUE 12 November 2024
23
Saturday SAT 23 November 2024
24
Sunday SUN 24 November 2024
6
Monday MON 6 January 2025
7
Tuesday TUE 7 January 2025
11
Saturday SAT 11 January 2025
25
Saturday SAT 25 January 2025

Friederike Heumann © Peter Amann

Resonanzen: Elbert / Heumann / Mascardi / Mauillon

»Gehen«

Thursday 23 January 2025
19:30
Mozart-Saal

Performers

Anna-Lena Elbert, Sopran

Evangelina Mascardi, Renaissancelaute

Angélique Mauillon, Barockharfe

Friederike Heumann, Viola da gamba, Lyra-Viol

Programme

Gehen

Robert Jones

Love wing'd my hopes

Whither runneth my sweetheart

O how my thought beate me

My love bound me with a kiss

William Corkine

Walsingham

Corranto

Tobias Hume

Fain would I change that note (1605))

What greater grief (Captaine Humes Poeticall Musicke) (1607))

Instrumental

Robert Jones

Now what is love I pray thee tell (1601))

Come sorrow

Thomas Ford

Musicke of Sundrie Kindes (1607)

Robert Jones

Dreames and Imaginations

John Dowland

If my complaints could passions move F I/8 (1597))

Anonymus

Prelude

William Corkine

Pavin, Coranto, If my complaints (The Second Booke of Ayres)

Robert Jones

Fie fie

My thoughts this other night

Note

Medienpartner Ö1 Club und Der Standard

Subscription series Resonanzen
4er-Zyklus Resonanzen

Festival Resonanzen »Alte Meister«

Presented by Wiener Konzerthausgesellschaft

Walking

The mode of locomotion of walking at very different speeds is of elementary importance in the work of the passionate car driver Thomas Bernhard. Bernhard himself was a »shoe fetishist« and had an aristocratic penchant for English handmade shoes in particular. This makes it all the more striking that his last novel is predominantly spent sitting down; (physically) exhausted either in the Hotel Ambassador or on the Bordone Hall bench in the Kunsthistorisches Museum. With »Grounds« and »Walking Basses«, Friederike Heumann & friends revive the memory of a salutary and/or exhausting walk and, with a purely English-amorous repertoire, remind us of the second level of the »Old Masters« as that of an existential love story.
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