12
Tuesday TUE 12 November 2024
23
Saturday SAT 23 November 2024
24
Sunday SUN 24 November 2024
1
Sunday SUN 1 December 2024
6
Friday FRI 6 December 2024
15
Sunday SUN 15 December 2024
17
Tuesday TUE 17 December 2024
24
Tuesday TUE 24 December 2024
25
Wednesday WED 25 December 2024
26
Thursday THU 26 December 2024

Alsop Marin © Nancy Horowitz

ORF Radio-Symphonieorchester Wien / Alsop

»Too Hot To Handel – The Gospel Messiah«

Thursday 5 December 2024
19:30 – ca. 21:40
Großer Saal

Performers

ORF Radio-Symphonieorchester Wien

Chorus sine nomine, Chor

smaragd – Chor der Musikpädagogik der mdw – Universität für Musik und darstellende Kunst Wien, Chor

Landesjugendchor Niederösterreich

Chorus Juventus – Chor des Oberstufenrealgymnasiums der Wiener Sängerknaben

Superar Kinderchor

Johannes Hiemetsberger, Choreinstudierung

Tini Kainrath, Sopran

Chanda Rule, Mezzosopran

Zwakele Tshabalala, Tenor

Marin Alsop, Dirigentin

Programme

Georg Friedrich Händel

Gospel Messiah (Bearbeitung von Der Messias. Oratorium in drei Teilen HWV 56) (1741)

Note

Gemeinsam veranstaltet mit RSO Wien
Medienpartner Der Standard

Subscription series Das STANDARD-Konzerthaus-Abo

Links https://rso.orf.at
https://www.marinalsop.com
http://www.chorussinenomine.at

Presented by Wiener Konzerthausgesellschaft

Gospel Messiah

George Frideric Handel's »Messiah« has been one of the most popular and most frequently performed choral works since its premiere in 1742 - not least because of the popular »Hallelujah!« chorus. 250 years later, in 1992, Marin Alsop had the idea of interpreting the oratorio in a modern way. For the resulting participatory project »Too Hot To Handel«, Bob Christianson and Gary Anderson integrated elements of gospel, jazz, rock and funk into Handel's music. “»›Too Hot To Handel‹ is a great story that involves the audience. The performance becomes an active listening experience«, says Marin Alsop about the rousing arrangement. Last December, the »Gospel Messiah« celebrated its European premiere in London's Royal Albert Hall. Now the Viennese audience can look forward to the »Messiah« in a refreshing new sound.

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