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Maxim Vengerov

Maxim Vengerov © Diago Mariotta Mendez

Polina Osetinskaya

Polina Osetinskaya © Yulia Plakhotnikova

Maxim Vengerov / Polina Osetinskaya

Thursday 12 December 2024
19:30
Großer Saal

 

Performers

Maxim Vengerov, Violine

Polina Osetinskaya, Klavier

Programme

Sergej Prokofjew

Fünf Melodien op. 35b für Violine und Klavier (1925)

Sonate D-Dur op. 94a für Violine und Klavier (1943/1944)

***

César Franck

Sonate A-Dur M 8 für Violine und Klavier (1886)

Maurice Ravel

Tzigane. Rapsodie de concert für Violine und Klavier (1924)

-----------------------------------------

Zugabe:

Sergej Prokofjew

Marsch (Ljubow k trjom apelsinam »Die Liebe zu den drei Orangen« op. 33b) (1922)

Fritz Kreisler

Marche miniature viennoise

Sergej Rachmaninoff

Variation Nr. 18 (Rhapsodie über ein Thema von Paganini op. 43) (Bearbeitung für Violine und Klavier: John York) (1934)

Note

Mischa Maisky muss seine Tournee mit Martha Argerich leider aus gesundheitlichen Gründen absagen. Wir freuen uns, dass Maxim Vengerov und Polina Osetinskaya das Konzert gestalten werden.

Subscription series Virtuos!

Links https://osetinskaya.com
https://maximvengerov.com

Presented by Wiener Konzerthausgesellschaft

A top-class duo

Maxim Vengerov and Polina Osetinskaya have mastered the fine art of dialog between violin and piano like almost no other duo. After all, both virtuosos not only have to demonstrate their technical brilliance, but also engage in a profound dialog - which the two, who met as children and can look back on many years of stage experience together, succeed in doing effortlessly. Vengerov plays his ex-Kreutzer Stradivarius, built in 1727, which previously belonged to Rodolphe Kreutzer, the dedicatee of Beethoven's famous violin sonata. The program includes works by Sergei Prokofiev and the lyrical Violin Sonata in A major by César Franck, which was written in 1886 as a wedding present for the famous violinist Eugène Ysaÿe. The fiery finale is Mauric Ravel's »Tzigane« - such a virtuoso work that even the composer himself had doubts about its playability shortly before the premiere.

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