Promoter's details
Joep Beving & Maarten Vos
Vision of Contentment
Pianist Joep Beving and cellist Maarten Vos have announced details of their first collaborative album, »vision of contentment«, which will be released by Nils Frahm's LEITER label and arrives on July 19, 2024. It follows work together on 2019's »Henosis«, Beving's third album, which came about after the two musicians shared a bill in Amsterdam in 2018. Mixed by Frahm at LEITER studio in the German capital's famed Funkhaus complex, where Vos also has his studio, the LP contains eight brand new compositions and will be available on vinyl as well as via all digital platforms. It's preceded by a single, »02:07«, on May 31, 2024.
While Beving's never recorded an entire album with another artist before, Vos has regularly engaged in such activities, sharing credits with artists such as Julianna Barwick, Nicolas Godin (AIR) and Alex Smoke. »Occasionally I come across artists with whom I share a musical connection, leading to a mutual desire to collaborate,« Vos explains. »Exploring different creative approaches and learning from their workflows has been inspiring, contributing greatly to my development.«
For Beving, it was a natural step to take, and arguably overdue. »Doing an album from scratch as a joint project was something Maarten and I wanted to try for a while now,« he says. »When my deal came to an end, we saw an opportunity to start making music. I'm always trying to create small worlds for the listener to temporarily live in. Working with Maarten and Nils has helped immensely in achieving this. Maarten is a sculptor of sound and Nils is, well ... the master of sound!«
Most of vision of contentment was written and recorded during July, 2023, after Beving and Vos unpacked their gear – recording equipment, various synths, a cello – to join the upright piano awaiting them in de berenpan, a shed hidden away in the forest outside Bilthoven, a small village in the Dutch province of Utrecht. The friends had already spent time together in Beving's Amsterdam studio as well as Vos' Funkhaus setup, sessions from which two further album tracks are taken, but their week in the countryside would prove particularly fruitful, if for uncomfortably poignant reasons. Out of their sometimes-sombre work emerged a universal eulogy to what the pianist calls »Finding comfort in the acceptance of the inevitable,« but the album represents far more than this. It's also an astonishing personal tribute to Mark Brounen, their friend and, in Beving's case, manager.
Certainly, the album's founded upon multiple ideas of serenity, whether in our world or the afterlife, opening with the brassy sounds of ‘on what must be', whose subsequent Eno- and Budd-esque minimalism mixes sorrow, resignation and beauty. It closes, too, with »The boat«, a quiet but quietly uplifting piece which Beving says represents »The morning after the storm, the appraisal of the tides, the acceptance of what is past and the dawn of a new day, a new life.«